The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world. |
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Notice the striking similarity between Beatrice's and Eddie's language in trying to explain Rodolpho's odd behavior on the waterfront piers : BEATRICE ( to Eddie ] : Well , he's a kid ; he don't know how to behave himself yet .
Eddie Carbone's fate is in the hands of the Gods . How much like Greek tragedy ! III . 7 Earlier I mentioned that there is additional evidence to support Eddie's view that Rodolpho is a homosexual , evidence which suggests that not only ...
But because of their background and work it is understandable that Eddie and his peers regard Rodolpho as they do . And this is why Alfieri , who appreciates the psychology of his Red Hook clients , can say “ even the ones who feel the ...
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Early Response to 1959 | 25 |
Criticism 19601969 | 45 |
Arthur Miller and the Tradition of Tragedy | 51 |
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