The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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I never thought you but a good man , John — with a smile only somewhat bewildered . PROCTOR laughing bitterly : Oh , Elizabeth , your justice would freeze beer ! He turns suddenly toward a sound outside . He starts for the door as Mary ...
scale , the fundamental problem for both John and Elizabeth is a lack of faith in a true sense , a failure to recall their religion telling them that God has saved them despite the fact that they are sinners , and that the means of ...
John confesses , not to his true sin , but to a sin he did not commit ; not to his God , but to a community of men . In a sense , however , he does commit the sin of demonry when he thus falsely confesses , for he veritably signs a pact ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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