The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Obviously , John Proctor does not represent the same threat to freedom posed by Danforth and Hathore . But this may be the point exactly , that Proctor does not possess the power , the authority , which converts stubbornness , arrogance ...
Proctor indicates the inversion of his emotional relationship with Elizabeth when the metaphor of judging combines with the imagery of coldness in his conversation with Elizabeth : PROCTOR . Some dream I had must have mistaken you for ...
a Proctor requests that Danforth hear Mary Warren's deposition about Abigail's lies , Danforth warns him : “ Now , Mr. Proctor , before I decide whether I shall hear you or not , it is my duty to tell you this .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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