The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Virginia , the protagonist , comes to accept the cruelty in her character and the limitations which life forces on her . She comes to accept dreams as dreams and reality as the only base for a life with integrity and without ...
Like Quentin , having accepted the fact of his own guilt , LeDuc accepts the responsibility and decides to live with it . ... or political creed and in accepting this fact accept also the guilt and responsibility which this implies .
The act — and the play - ends with Quentin free at last to accept Holga and the world without illusion or false expectations . This brilliantly conceived and executed structure conforms perfectly with the vision of man it expresses .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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