The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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1980 Playing for Time , Miller's television adaptation of Fania Fenelon's memoirs , appears on CBS on September 30. Miller receives an Emmy Award for this powerful television drama . The American Clock opens on November 20 at the ...
( The tower appears ) . Even this slaughterhouse ! Why does something in me bow its head like an accomplice in this place ! [ Mother appears upstage . ) Huh ? Please , yes , if you think you know . ( Turning to Mother ] : In what sense ...
When Kitty seemingly agrees to appear for the day's shooting , his response is “ it would be fantastic for me too . ... When Paul appears , Edna tries to persuade him to leave but Derek , the director , insists they should “ all resolve ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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