The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world. |
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Yet , as Miller himself points out in the Introduction , inability to express oneself is not the same thing as inability to think and feel . A man may be aware that there is something rotten in the state of Denmark or something hollow ...
... John Proctor are ennobled by their attempts to follow the dictates of their consciences , and that this recognition of the demands of conscience is more relevant to Tragedy than the ability to express high ideals in lucid language .
The Michigan plays express the vaguely held beliefs of a writer trying to make sense of the economic crisis which had come close to ruining his own family and which had challenged the most fundamental myths and basic political and ...
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Early Response to 1959 | 25 |
Criticism 19601969 | 45 |
Arthur Miller and the Tradition of Tragedy | 51 |
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