The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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... God is what is ; and whoever stands between another person and her truth is not a lover ... " ( 152-53 ) . Once , he had felt guilty because Louise disliked her face and he had wanted to step between her and her ...
( Eve ) feels her body , her breasts , her face , awakening to herself . She starts her hand down to her genitals and inhales a surprised breath . Adam enters ... she sensuously touches his arm and puts it around her .
I hear the boot of Lucifer , I see his filthy face ! And it is my face , and yours Danforth ... God damns our kind especially , and we will burn , we will burn together ! " ( 119-20 ) . Although these lines ostensibly refer to the fire ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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