The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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seeks to escape the corroding sense of work alienation that destroyed his father , Happy resolves to win the same game his father has lost . He says resolutely to Biff at his father's grave : “ I'm gonna show you and everybody else that ...
In Lyman's mind , his father's image is more frighteningly real than anything else surrounding him in the hospital . Dragging “ a broad black cloth behind him " ( Ride 2 ) , his father cruelly derides Lyman for his physical appearance ...
She futilely tries to deceive herself into believing that Larry could not deliberately crash his plane in a sincere effort to atone for his father's criminal act . However , when Ann Deever produces the incriminating letter from Larry ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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