The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Chief among these assumptions is that of general innocence . In Hebrew mythology , innocence was lost at the very beginning of things ; in liberal , especially American liberal , folklore , it has not been lost yet ; Arthur Miller is ...
Apparently , however , Miller has found it difficult to live with his own insight that the lack of innocence is an integral part of man . In Incident at Vichy he refutes Quentin's withering line , inspired by the vision of the stone ...
Faced with such realizations , Quentin recognizes the delusions inherent in his feelings of superiority and innocence . Recalling his mother's telling him that she had seen a portentous falling star when he first moved in her womb ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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