The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Later in " Welcome Stranger , " New York Times 9 February 1947 , sec . 2 : 1 , Atkinson praises Miller's play as the “ most talented play by a new author in some time . ” In “ Mare's Nest Inquiries , ” New York Times 7 September 1947 ...
A further play , written in 1939-40 , though lost for many years , did finally receive both a radio and television production nearly fifty years later and was warmly received . The Golden Years , a play which takes place during ...
The play lacks the subtlety of Miller's later work . Thus Harry is gauche and strident as well as socially reactionary . He despises those who work with their hands , including his own family , and obligingly enunciates his singleminded ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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