The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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The Lomans , never a family of adults , gradually and painfully attest to discrepancies in the American success myth , discrepancies that their lives from time to time can no longer hide . What Willy and his sons and what Charley and ...
Where , and for whom , does — must — a person live ? ... Joe Keller lives only for family : “ Nothin ' is bigger ! ” Keller declares . ... “ Where do you live ” Chris explicitly asks his father at the end of act 2 of All My Sons ...
felt experience , the imaginative sharing and participation in the lives and action of imaginary characters ” ( “ The Nature of Tragedy " 97 ) . " The performance is mythic ; our sensibilities are enlivened by imaginary characters and ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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