The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing. Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world. |
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This salesman never learns to know his territory , his ideals of the workday world notwithstanding . His labors are heroic , almost , and always aimed at financial - social success . But faithful Linda helps to insure only their ...
The more serious playwrights were never comfortable with the device . Tennessee Williams wrote such a scene for Cat on a Hot Tin Roof , but when he published the play , he offered both his original and the Broadway versions of the last ...
He was never a member of the Party but in common with many , indeed most , intellectuals he was announcing the bankruptcy of more than the financial system . Miller , too , was never a Party member ; radicalism simply constituted the ...
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Early Response to 1959 | 25 |
Criticism 19601969 | 45 |
Arthur Miller and the Tradition of Tragedy | 51 |
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