The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Simply , it is the question of whether the democratic guarantees protecting political minorities ought to be set aside in time of crises . This is what Miller's play is about , not Ibsen's . Miller does not challenge the principles and ...
and dramatic situations from life which involve real questions of right and wrong . Then I set out , rather implacably ... I don't see how you can write anything decent without using the question of right and wrong ” ( Treasury 1061 ) .
Fall , Quentin tells Maggie his frightening discovery of self : " the question is no longer whether you'll survive , but also whether I will ” ( 228 ) . “ We are all separate people ” ( 233 ) . His climactic question is “ Who can be ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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