The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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Marianne Boruch We are faced with a crowd of things : a cracked cylinder head from an old P - 40 , a copper pot , silk stockings pressed and gleaming in their cardboard box . We spot a harp , its baseboard somewhat warped yet still ...
The only living thing on the place has been broken , suddenly and in darkness split by a broad and violent fact . And we grasp in some strange ... Things brood here , and they break , yet there is possible goodness in that house .
Happy and Quentin make their egocentricities more and more apparent as one " thing ” leads to another . ... The situation of Catherine in A View from the Bridge illustrates an odd plotting idea in the wider , thematic use of things .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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