The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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And he recognizes that there is a satisfaction in turning his back on failure , whether it be that of Lou or Louise . ... In the end the answer becomes too clear : In whose name do you ever turn your back --- but in your own ?
Quentin in his turn links himself to the cruelty which he had , in retrospect , discovered in others in ... He turns his back but discovers now , looking back , the source of this desire for non - involvement , this ultimate cruelty .
Recollections of failure and treachery lead him to ask the Listener , “ in whose name do you turn your back ? ... I saw it clear - in whose name you turn your back ! I saw it once , I saw the name ! ... In whose name ?
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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