The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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What I have endeavored to do in this essay , then , is to demonstrate how imaginative literature in this case , the dramatic form can be used to illustrate and deepen our understanding of ideas commonly employed in sociology .
I don't understand ; I don't know anything ; How is it me that gets out ? I don't know half the poems Kenneth does , Or a quarter of what Larry knows about an engine . I don't understand how they come every morning , Every morning and ...
Willy has a passionate interest , fired by a disturbing amalgam of hope , need , guilt and love , by a desire to understand why his life is as is . Willy has the writer's desire to charge the world with significance .
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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