The Critical Response to Arthur Miller
Presenting roughly sixty year's worth of Miller scholarship, Centola and Cirulli offer a wide range of interpretations and critical responses to the playwright's work. Incorporating insights from several disciplines including, but not limited to, philosophy, psychology, and sociology, this work also contains discussions of his work in light of new understandings discovered through considerations of cultural contexts, performance issues, feminist concerns, as well as deconstructionist and postmodernist redefinitions of the textuality of Miller's writing.
Bearing witness to the enduring value of Miller's work and the relevance of his artistic vision, this body of critical essays reveals why the writer's influence has been so widespread. Adept at dramatic experimentation, Miller succeeded in inspiring the work not only of American playwrights but also that of dramatists around the world.
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( Introduction 23-24 ) Death of a Salesman , as a vision , follows an aesthetic , rather than a logical , mode of development . For it represents the protagonist's attempt to reconstitute the progression of his experience .
This is in accord with the vision of the play , which is intended to be both close up and wide , psychological and social , subjective and objective , and manifestly so . To be sure , there is a realistic tone to this exchange people do ...
Leroy strives for a complete vision , but Frick's vision has enormous gaps . They each have very different priorities . Frick is very concerned with appearances . Such appearances are swiftly shown to be , in themselves , as meaningless ...
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Early Response to 1959
Arthur Miller and the Tradition of Tragedy
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