IV. My Soul was grateful for delight Who comes not hither ne'er shall know And who is she? -Can that be Joy? While Faith, from yonder opening cloud, To hill and vale proclaims aloud, [ed dare, "Whate'er the weak may dread, the wick. Thy lot, O Man, is good, thy portion fair!" 4 [1817. TO ENTERPRISE. KEEP for the Young th' impassion'd smile Shed from thy countenance, as I see thee stand High on that chalky cliff of Briton's Isle, A slender volume grasping in thy hand,— (Perchance the pages that relate The various turns of Crusoe's fate,)- From One who, in the evening of his day, To thee would offer no presumptuous hymn! I. Bold Spirit! who art free to rove While traversing this nether sphere, 4 Thoughts and feelings of many walks in all weathers, by day and night, over this Pass, alone, and with beloved friends. Author's Notes. Did incense-bearing altars rise, II. What though this ancient Earth be trod Prove that thy heaven-descended sway The Stripling seeks the tented field; And hast Thou not with triumph seen |And, slighting sails and scorning oars, For philosophic Sage; or high-souled Bard The domination of his glorious themes, III. If there be movements in the Patriot's And in due season send the mandate forth: no more. IV. Dread Minister of wrath! Who to their destined punishment dost 6 This is the only instance I remember to have met with of calenture thus used as a verb. The word properly means a fever, and hence is put for the furious delirium 5 Alluding, of course, to the bold spirit or frenzy caused by the heat of the tropi of Enterprise as displayed in balloon-voy. cal sun at sea, which often leads sailors to aging. The unclassical reader may like throw themselves into the water. The to be told that Icarus was the son of that sense of the word in this place may be wonderful mechanic, Dædalus, whose tri-gathered from a passage in Swift's South umphs of ingenuity ca sed him to be im. Sea Project, 1721: prisoned by Minos. Being released by Pasiphaë, to aid his flight from Minos, he procured wings for himself and his son, and fastened them on with wax. In their flight, the youngster, being something over-bold, flew too near the Sun, so that the wax was melted, and he fell down into what was thence called the Icarian sea. "So, by a calenture misled, [lymph With trampling horses and refulgent cars, | That wakes the breeze, the sparkling holy And vernal mornings opening bright And cheerful songs, and suns that shine Back flows the willing current of my Song: But thou, O Goddess! in thy favourite In fix'd resolves by Reason justified; Up-caught in whirlwinds, nowhere can VI. But, if such homage thou disdain As doth with mellowing years agree, Vouchsafes her lessons, bounteous Nymph 7 So Milton, in Il Penseroso, addressing the nightingale: "Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy !" Coleridge, also, in his Nightingale, repudiates the epithet: "A melancholy bird! O, idle thought! In Nature there is nothing melancholy." With breakers roaring to the gales | And Love, when worthiest of his name, THE EGYPTIAN MAID; OR, THE ROMANCE OF THE WATER-LILY." [For the names and persons in the following poem, see the "History of the re nowned Prince Arthur and his Knights of the Round Table; " for the rest the Author is answerable; only it may be proper to add, that the Lotus, with the bust of the Goddess appearing to rise out of the flull-blown flower, was suggested by the beautiful work of ancient art, once included among the Townley Marbles, and now in the British Museum.] WHILE Merlin paced the Cornish sands, Of a bright Ship that seem'd to hang in air; And took from men her name, THE WATER-LILY. Soft was the wind that landward blew; To a full orb, this Pinnace bright Became, as nearer to the coast she drew, More glorious, with spread sail and streaming pendant. Upon this wingèd Shape so fair Sage Merlin gazed with admiration: Her lineaments, thought he, surpass Aught that was ever shown in magic glass; Was ever built with patient care; Or, at a touch, produced by happiest transformation. Now, though a Mechanist whose skill Shames the degenerate grasp of modern science, Grave Merlin (and belike the more For practising occult and perilous lore) Was subject to a freakish will That sapp'd good thoughts, or scared them with defiance. Provoked to envious spleen, he cast An alter'd look upon th' advancing Stranger Whom he had hail'd with joy, and cried, 66 My Art shall help to tame her pride:' Anon the breeze became a blast, And the waves rose, and sky portended danger. 8 This poem rose out of a few words casually used in conversation by my nephew, Henry Hutchinson. He was describing with great spirit the appearance and movement of a vessel which he seemed to admire more than any other he had ever seen, and said her name was the Water-Lily. This plant has been my delight from my boyhood, as I have seen it floating on the lake; and that conversation put me upon constructing and composing the poem. Had I not heard those words, it would never have been written. Author's Notes. With thrilling word, and potent sign Traced on the beach, his work the Sorcerer urges; Like spiteful Fiends that vanish, cross'd By Fiends of aspect more malign; And the winds roused the Deep with fiercer scourges. But worthy of the name she bore Of motion, whether in th' embrace Of trusty anchorage, or scudding o'er Behold, how wantonly she laves Her sides, the Wizard's craft confounding; But Ocean under magic heaves, And cannot spare the Thing he cherish'd: The storm has stripp'd her of her leaves; Grieve for her, she deserves no less; Though loved, she could not love again; Nor aught that troubles us, the fools of Nature. Yet is there cause for gushing tears, A lovely One, who nothing hears Of wind or wave, a meek and guileless Maiden. Into a cave had Merlin fled From mischief caused by spells himself had mutter'd; And while, repentant all too late, In moody posture there he sate, He heard a voice, and saw, with half-raised head, A Visitant by whom these words were utter'd: |