A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de-Siecle Vienna
OUP USA, 19 Σεπ 2013 - 256 σελίδες
Typically regarded as reflecting on a culture in social, political, or psychological crisis, the arts in fin-de-siècle Vienna had another side: they were means by which creative individuals imagined better futures and perfected worlds dawning with the turn of the twentieth century. As author Kevin C. Karnes reveals, much of this utopian discourse drew inspiration from the work of Richard Wagner, whose writings and music stood for both a deluded past and an ideal future yet to come. Illuminating this neglected dimension of Vienna's creative culture, this book ranges widely across music, philosophy, and the visual arts. Uncovering artworks long forgotten and providing new perspectives on some of the most celebrated achievements in the Western canon, Karnes considers music by Mahler, Schoenberg, and Alexander Zemlinsky, paintings, sculptures, and graphic art by Klimt, Max Klinger, and members of the Vienna Secession, and philosophical writings by Nietzsche, Schopenhauer, and Maurice Maeterlinck. Through analyses of artworks and the cultural dynamics that surrounded their creation and reception, this study reveals a powerful current of millennial optimism running counter and parallel to the cultural pessimism widely associated with the period. It discloses a utopian discourse that is at once beautiful, moving, and deeply disturbing, as visions of perfection gave rise to ecstatic artworks and dystopian social and political realities.
Τι λένε οι χρήστες - Σύνταξη κριτικής
Δεν εντοπίσαμε κριτικές στις συνήθεις τοποθεσίες.
1 FindeSiècle Vienna and the Utopian Imagination
2 Max Klinger the Gesamtkunstwerk and the Dream of a Third Kingdom
Longings of an Organization
5 The Sacred Spring of Arnold Schoenberg and Alexander Zemlinsky
Άλλες εκδόσεις - Προβολή όλων
aesthetic appeared argued artistic Bahr beautiful Beethoven Brahms called century Chapter chord close collective completed composer continues course creative critic cultural death described drawing dream Erde essay essential eternal Example exhibition existence experience fact Fantasy Figure final Frieze future German Gesamtkunstwerk given gives Gurrelieder Gustav Gustav Mahler hand human ideas images imagined individual inspired Jacobsen’s Jewish Kingdom Klimt letter Lied lines lives longing look Mahler Max Klinger metaphysical mind nature Nietzsche Nietzsche’s notes observed opening original painting Peter Jacobsen philosophical political published redemption reflections regarded Richard Sacrum Sämtliche scene Schoenberg Schopenhauer Schopenhauer’s Schopenhauerian Secession Secession’s seems sense social society song sounded spiritual suffering suggest theory things third tion transcendence transformation translation Tristan turn University utopian Vienna vision Wagner whole writings wrote Zarathustra Zemlinsky