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fables all around him, that everything he touched and handled, everything he saw and learned had a fable wrapped in it somewhere. One fable was about a bundle of sticks and a farmer whose sons were quarreling and fighting.

There was a fable in two sentences which read, "A coachman, hearing one of the wheels of his coach make a great noise, and perceiving that it was the worst one of the four, asked how it came to take such a liberty. The wheel answered that from the beginning of time, creaking had always been the privilege of the weak." And there were shrewd, brief incidents of foolery such as this: "A waggish, idle fellow in a country town, being desirous of playing a trick on the simplicity of his neighbors and at the same time putting a little money in his pocket at their cost, advertised that he would on a certain day show a wheel carriage that should be so contrived as to go without horses. By silly curiosity the rustics were taken in, and each succeeding group who came out from the show were ashamed to confess to their neighbors that they had seen nothing but a wheelbarrow."

The style of the Bible, of Æsop's fables, the hearts and minds back of those books, were much in his thoughts. His favorite pages in them he read over and over. Behind such proverbs as, "Muzzle not the ox that treadeth out the corn," and "He that ruleth his own spirit is greater than he that taketh a city," there was a music of simple wisdom and a mystery of common everyday life that touched deep spots in him, while out of the fables of the ancient Greek slave he came to see that cats, rats, dogs, horses, plows, hammers, fingers, toes, people, all had fables connected with their lives, characters, places. There was, perhaps, an outside for each thing as it stood alone, while inside of it was its fable.

One book came, titled, "The Life of George Washington, with Curious Anecdotes, Equally Honorable to Himself and Exemplary to His Young Countrymen. Embellished with Six Steel Engravings, by M. L. Weems, formerly Rector of Mt. Vernon Parish." It pictured men of passion and proud ignorance in

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the government of England driving their country into war on the American colonies. It quoted the far-visioned warning of Chatham to the British parliament, "For God's sake, then, my lords, let the way be instantly opened for reconciliation. I say instantly; or it will be too late forever."

The book told of war, as at Saratoga. "Hoarse as a mastiff of true British breed, Lord Balcarras was heard from rank to rank, loud-animating his troops; while on the other hand, fierce as a hungry Bengal tiger, the impetuous Arnold precipitated heroes on the stubborn foe. Shrill and terrible, from rank to rank, resounds the clash of bayonets-frequent and sad the groans of the dying. Pairs on pairs, Britons and Americans, with each his bayonet at his brother's breast, fall forward together faint-shrieking in death, and mingle their smoking blood." Washington, the man, stood out, as when he wrote, "These things so harassed my heart with grief, that I solemnly declared to God, if I know myself, I would gladly offer myself a sacrifice to the butchering enemy, if I could thereby insure the safety of these my poor distressed countrymen."

The Weems book reached some deep spots in the boy. He asked himself what it meant that men should march, fight, bleed, go cold and hungry for the sake of what they called "freedom."

"Few great men are great in everything," said the book. And there was a cool sap in the passage: "His delight was in that of the manliest sort, which, by stringing the limbs and swelling the muscles, promotes the kindliest flow of blood and spirits. At jumping with a long pole, or heaving heavy weights, for his years he hardly had an equal."

Such book talk was a comfort against the same thing over again, day after day, so many mornings the same kind of water from the same spring, the same fried pork and corn-meal to eat, the same drizzles of rain, spring plowing, summer weeds, fall fodder-pulling, each coming every year, with the same tired feeling at the end of the day, so many days alone in the woods or the fields or else the same people to talk with, people from whom he had learned all they could teach him. Yet there ran

through his head the stories and sayings of other people, the stories and sayings of books, the learning his eyes had caught from books; they were a comfort; they were good to have because they were good by themselves; and they were still better to have because they broke the chill of the lonesome feeling.

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He was thankful to the writer of Æsop's fables because that writer stood by him and walked with him, an invisible companion, when he pulled fodder or chopped wood. Books lighted lamps in the dark rooms of his gloomy hours. would live on; maybe the time would come when he would be free from work for a few weeks, or a few months, with books, and then he would read. . . . God, then he would read. . . Then he would go and get at the proud secrets of his books.

His father-would he be like his father when he grew up? He hoped not. Why should his father knock him off a fence rail when he was asking a neighbor, passing by, a question? Even if it was a smart question, too pert and too quick, it was no way to handle a boy in front of a neighbor. No, he was going to be a man different from his father. The books-his father hated the books. His father talked about "too much eddication"; after readin', writin', 'rithmetic, that was enough, his father said. He, Abe Lincoln, the boy, wanted to know more than the father, Tom Lincoln, wanted to know. Already Abe knew more than his father; he was writing letters for the neighbors; they hunted out the Lincoln farm to get young Abe to find his bottle of ink with blackberry brier root and copperas in it, and his pen made from a turkey buzzard feather, and write letters. Abe had a suspicion sometimes his father was a little proud to have a boy that could write letters, and tell about things in books, and outrun and outwrestle and rough-andtumble any boy or man in Spencer County. Yes, he would be different from his father; he was already so; it couldn't be helped.

In growing up from boyhood to young manhood, he had survived against lonesome, gnawing monotony and against floods,

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forest and prairie fires, snake-bites, horse-kicks, ague, chills, fever, malaria, “milk-sick."

A comic outline against the sky he was, hiking along the roads of Spencer and other counties in southern Indiana in those years when he read all the books within a fifty-mile circuit of his home. Stretching up on the long legs that ran from his moccasins to the body frame with its long, gangling arms, covered with linseywoolsey, then the lean neck that carried the head with its surmounting coonskin cap or straw hat-it was, again, a comic outline-yet with a portent in its shadow. His laughing "Howdy," his yarns and drollery, opened the doors of men's hearts.

Starting along in his eleventh year came spells of abstraction. When he was spoken to, no answer came from him. "He might be a thousand miles away." The roaming, fathoming, searching, questioning operations of the minds and hearts of poets, inventors, beginners who take facts stark, these were at work in him. This was one sort of abstraction he knew; there was another: the blues took him; coils of multiplied melancholies wrapped their blue frustrations inside him, all that Hamlet, Koheleth, Schopenhauer have uttered, in a mesh of foiled hopes. "There was absolutely nothing to excite ambition for education,” he wrote later of that Indiana region. Against these "blues," he found the best warfare was to find people and trade with them his yarns and drolleries. John Baldwin, the blacksmith, with many stories and odd talk and eye-slants, was a help and a light.

Days came when he sank deep in the stream of human life and felt himself kin of all that swam in it, whether the waters were crystal or mud.

He learned how suddenly life can spring a surprise. One day in the woods, as he was sharpening a wedge on a log, the ax glanced, nearly took his thumb off, and left a white scar after healing.

"You never cuss a good ax," was a saying in those timbers.

Chapter 20

SIXTEEN-YEAR-OLD Abe had worked on the farm of James Taylor, at the mouth of Anderson Creek, on that great highway of traffic, the Ohio River. Besides plowing and doing barn and field work, he ran the ferryboat across the Ohio. Two travelers wanted to get on a steamboat one day, and after Abe sculled them to it and lifted their trunks on board they threw him a half-dollar apiece; it gave him a new feeling; the most he had ever earned before that was at butchering for thirty-one cents a day. And when one of the half-dollars slipped from him and sank in the river, that too gave him a new feeling.

At Anderson Creek ferry, he saw and talked with settlers, land buyers and sellers, traders, hunters, peddlers, preachers, gamblers, politicians, teachers, and men shut-mouthed about their business. Occasionally came a customer who looked as if he might be one of the "half horse, half alligator men" haunting the Ohio watercourse those years. There was river talk about Mike Fink, known on the Ohio as the "Snapping Turtle" and on the Mississippi as "The Snag," the toughest of the "half horse, half alligator" crowd; he was a famous marksman and aiming his rifle from his keel-boat floating the Ohio had shot off the tails of pigs running loose in the bottom lands; once Mike ordered his wife off his barge, covered her with autumn leaves while he threatened to shoot her, set fire to the leaves, so that Mrs. Fink ran with clothes and hair on fire and jumped into the river, to hear her husband saying, "Ye will make eyes at the men on other boats, will ye?"

Along the water-front of Louisville, Mike Fink had backed up his claim, “I can outrun, outhop, outjump, throw down, drag out, and lick any man in the country; I'm a Salt River roarer; I love the wimming and I'm chock full of fight." They tried him for crimes in Louisville and acquitted him for lack of suf

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