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with a small garden in front, stocked with kitchen herbs, and adorned with a few flowers. The whole front of the cottage was overrun with a honeysuckle. On the top was a ship for a weathercock. The interior was fitted up in a truly nautical style; his ideas of comfort and convenience having been acquired on the birth-deck of a man of war. A hammock was slung from the ceiling, which, in the day-time, was lashed up so as to take but little room. From the centre of the chamber hung a model of a ship of his own workmanship. Two or three chairs, a table, and a large sea chest, formed the principal moveables. About the walls were stuck up naval ballads, such as Admiral Hosier's Ghost, All in the downs, and Tom Bowline, intermingled with pictures of sea fights, among which the battle of Camperdown held a distinguished place. The mantle-piece was decorated with sea shells; over which hung a quadrant, flanked by two wood-cuts of most bitter looking naval commanders. His implements for angling were carefully disposed on nails and hooks about the room. On a shelf was arranged his library, containing a work on angling, much worn; a bible covered with canvass; an odd volume or two of voyages; a nautical almanack; and a book of songs.

His family consisted of a large black cat with one eye, and a parrot which he had caught and tamed, and educated himself, in the course of one of his voyages; and which uttered a variety of sea phrases with the hoarse brattling tone of a veteran boatswain. The establishment reminded me of that of the renowned Robinson Crusoe; it was kept in neat order, every thing being "stowed away" with the regularity of a ship of war; and he informed me he" scoured the deck every morning, and swept it between meals."

I found him seated on a bench before the door, smoking his pipe in the soft evening sunshine. His cat was purring soberly on the threshold, and his parrot describing some strange evolutions in an iron ring that swung in the centre of his cage. He had been angling all day, and gave me a history of his sport with as much minuteness as a general would talk over a campaign; being particularly animated in relating the manner in which he had taken a large trout, which had completely tasked all his skill and wariness, and which he had sent as a trophy to mine hostess of the inn.

How comforting it is to see a cheerful and contented

old age; and to behold a poor fellow, like this, after be ing tempest tost through life, safely moored in a snug harbour, in the evening of his days! His happiness, however, sprung from within himself, and was independent of external circumstances; for he had that inexhaustible good-nature, which is the most precious gift of Heaven; spreading itself like oil over the troubled sea of thought, and keeping the mind smooth and equable in the roughest weather.

On inquiring further about him, I learned that he was a universal favourite in the village, and the oracle of the tap-room; where he delighted the rustics with his songs, and like Sinbad, astonished them with his stories of strange lands, and shipwrecks, and sea fights. He was much noticed too by gentlemen sportsmen of the neighbourhood; had taught several of them the art of angling; and was a privileged visiter to their kitchens. The whole tenor of his life was quiet and inoffensive, being principally passed about the neighbouring streams when the weather and season were favourable; and at other times he employed himself at home, preparing his fishing tackle for the next campaign, or manufacturing rods, nets, and flies for his patrons and pupils among the gentry.

He was a regular attendant at church on Sundays, though he generally fell asleep during the sermon. He had made it his particular request that when he died he should be buried on a green spot, which he could see from his seat in church, and which he had marked out ever since he was a boy, and had thought of when far from home on the raging sea, in danger of being food for the fishes-it was the spot where his father and mother had been buried.

RURAL LIFE IN ENGLAND.

NOTHING can be more imposing than the magnificence of English park scenery. Vast lawns that extend like sheets of vivid green, with here and there clumps of gigantic trees, heaping up rich piles of foliage. The solemn pomp of groves and woodland glades, with the deer trooping in silent herds across them; the hare, bounding away to the covert; or the pheasant, suddenly bursting upon the wing. The brook, taught to wind in natural meanderings, or

expand into a glassy lake-the sequestered pool, reflecting the quivering trees, with the yellow leaf sleeping on its bosom, and the trout roaming fearlessly about its limpid waters while some rustic temple or sylvan statue, grown green and dank with age, gives an air of classic sanctity to the seclusion.

These are but a few of the features of park scenery; but what most delights me, is the creative talent with which the English decorate the unostentatious abodes of middle life. The rudest habitation, the most unpromising and scanty portion of land, in the hands of an Englishman of taste, becomes a little paradise. With a nicely discriminating eye, he seizes at once upon its capabilities, and pictures in his mind the future landscape. The sterile spot grows into loveliness under his hand; and yet the operations of art which produce the effect are scarcely to be perceived. The cherishing and training of some trees; the cautious pruning of others; the nice distribution of flowers and plants of tender and graceful foliage; the introduction of a green slope of velvet turf; the partial opening to a peep of blue distance, or silver gleam of water; all these are managed with a delicate tact, a pervading yet quiet assiduity, like the magic touchings with which a painter finishes up a favourite picture.

The residence of people of fortune and refinement in the country has diffused a degree of taste and elegance in rural economy, that descends to the lowest class. The very labourer, with his thatched cottage and narrow slip of ground, attends to their embellishment. The trim hedge, the grass-plot before the door, the little flower-bed bordered with snug box, the woodbine trained up against the wall, and hanging its blossoms about the lattice, the pot of flowers in the window, the holly providently planted about the house, to cheat winter of its dreariness, and to throw in a semblance of green summer to cheer the fire side: all these bespeak the influence of taste, flowing down from high sources, and pervading the lowest levels of the public mind. If ever Love, as poets sing, delights to visit a cottage, it must be the cottage of an English peasant.

The fondness for rural life among the higher classes of the English has had a great and salutary effect upon the national character. I do not know a finer race of men than the English gentlemen. Instead of the softness and effeminacy which characterize the man of rank in most

countries, they exhibit a union of elegance and strength, a robustness of frame and freshness of complexion, which I am inclined to attribute to their living so much in the open air, and pursuing so eagerly the invigorating recreations of the country. These hardy exercises produce also a healthful tone of mind and spirits, and a manliness and simplicity of manners, which even the follies and dissipations of the town cannot easily pervert, and can never entirely destroy. In the country, too, the different orders of society seem to approach more freely, to be more disposed to blend and operate favourably upon each other. The distinctions between them do not appear to be so marked and impassable, as in the cities. The manner in which property has been distributed into small estates and farms, has established a regular gradation from the nobleman, through the classes of gentry, small landed proprietors, and substantial farmers, down to the labouring peasantry; and while it has thus banded the ex tremes of society together, has infused into each intermediate rank a spirit of independence. This, it must be confessed, is not so universally the case at present as it was formerly; the larger estates having, in late years of distress, absorbed the smaller, and, in some parts of the country, almost annihilated the sturdy race of small farmers. These, however, I believe, are but casual breaks in the general system I have mentioned.

In rural occupation there is nothing mean and debasing. It leads a man forth among scenes of natural grandeur and beauty; leaves him to the workings of his own mind, operated upon by the purest and most elevating of external influences. Such a man may be simple and rough, but he cannot be vulgar. The man of refinement, therefore, finds nothing revolting in an intercourse with the lower orders of moral life, as he does when he casually mingles with the lower of cities. He lays aside his distance and reserve, and is glad to wave the distinctions of rank, and to enter into the honest, heartfelt enjoyments of common life. Indeed the very amusements of the country bring men more and more together; and the sound of hound and horn blend all feelings into harmony. I believe this is one great reason why the nobility and gentry are more popular among the inferior orders in England than they are in any other country; and why the latter have endured so many excessive pressures and extremities,

without repining more generally at the unequal distribu tion of fortune and privilege.

To this mingling of cultivated and rustic society may also be attributed the rural feeling that runs through Bri tish literature; the frequent use of illustrations from rural life; those incomparable descriptions of nature that abound in the British Poets-that have continued down from "the flower and the leaf" of Chaucer, and have brought into our closets all the freshness and fragrance of the dewy landscape. The pastoral writers of other countries appear as if they had paid nature an occasional visit, and become acquainted with her general charms: but the British poets have lived and revelled with her, they have wooed her in her most secret haunts,-they have watched her minutest caprices. A spray could not tremble in the breeze a leaf could not rustle to the ground-a diamond drop could not patter in the stream-a fragrance could not exhale from the humble violet, nor a daisy unfold its crimson tints to the morning; but it has been noticed by these impassioned and delicate observers, and wrought up into some beautiful morality.

LETTER

FROM MUSTAPHA RÜB-A-DUB KELI KHAN,

To Muley Helim al Raggi, surnamed the agreeable Raga muffin, chief mountebank and buffo-dancer to

his Highness.

THE numerous letters which I have written to our friend the slave-driver, as well as those to thy kinsman the snorer, and which doubtless were read to thee, honest Muley, have in all probability, awakened thy curiosity to know further particulars concerning the manners of the barbarians, who hold me in such ignominious captivity. I was lately at one of their public ceremonies, which, at first, perplexed me exceedingly as to its object; but as the explanations of a friend have let me somewhat into the secret, and as it seems to bear no small analogy to thy profession, a descrip

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