All's Well that Ends WellManchester University Press, 1984 - 126 σελίδες Usually classified as a "problem comedy," All's Well that Ends Well is a psychologically disturbing presentation of an aggressive, designing woman and a reluctant husband wooed by trickery. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newlyaccessible, and offers a fully reconsidered, annotated text for both readers and actors. |
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Σελίδα 26
J. L. Styan. Worth in his arms . He had substituted a waltz for a coranto , of course , but the key to the effect lies in the Elizabethan coranto itself , as lively a dance as Shakespeare could command , with its 3/4 time , its running ...
J. L. Styan. Worth in his arms . He had substituted a waltz for a coranto , of course , but the key to the effect lies in the Elizabethan coranto itself , as lively a dance as Shakespeare could command , with its 3/4 time , its running ...
Σελίδα 58
... coranto . Parolles . Mort de vinaigre ! Is not this Helen ? Lafeu . Fore God , I think so . These two comment on the vigour of the King and imply a new image for Helena , while Shakespeare supplies the cue for the coranto with its ...
... coranto . Parolles . Mort de vinaigre ! Is not this Helen ? Lafeu . Fore God , I think so . These two comment on the vigour of the King and imply a new image for Helena , while Shakespeare supplies the cue for the coranto with its ...
Σελίδα 59
... coranto is for music as well as dancing , but some directors have chosen to reduce the intended effect . Bridges - Adams neglected the music and had a trumpet announce the King's entrance ; Helena knelt to him before sitting to one side ...
... coranto is for music as well as dancing , but some directors have chosen to reduce the intended effect . Bridges - Adams neglected the music and had a trumpet announce the King's entrance ; Helena knelt to him before sitting to one side ...
Περιεχόμενα
Scene by scene | 34 |
The illustrations between 48 and | 49 |
Bibliography Books and articles | 117 |
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All's Angela Baddeley audience begins Benthall Bertram and Helena Bridges-Adams character Clive Swift clown comic coranto Countess couplets court cure the King curtsy Diana downstage drum effect Elizabethan emphasised entrance Estelle Kohler exit eyes feelings Florence G. K. Hunter Giletta girl give Guthrie's production hand hath Helena Helena and Bertram honour husband Ian Richardson Irene Worth John Barton Joseph Price Joyce Redman King's kiss Lafeu Lavache leave letter Margaret Tyzack Martha Henry Michael Denison Michael Hordern mother Muriel St Clare Nunn Old Vic Ontario Parolles Parolles's Payne Payne's performance play Priscilla Morgan Problem Comedies realistic rhymes ring Rousillon scene seems Shakespeare Shakespeare Quarterly Shakespeare Survey soldiers soliloquy speak speech spirit St Clare Byrne stage Stratford Stratford-upon-Avon suggest television Theatre thee thou thought tone turn Tyrone Guthrie Unfortunate Comedy virginity Widow wife Willman woman women words young youth Zoe Caldwell