Εικόνες σελίδας
PDF
Ηλεκτρ. έκδοση

till he was at the summit of poetical reputation, till he was at ease in his fortune, and without a rival in his fame, and found no diminution of his respect or tenderness. Whatever was his pride, to them he was obedient; and whatever was his irritability, to them he was gentle. Life has, among its soothing and quiet comforts, few things better to give than such a son.

While the au

In 1733, he published the first part of the "Essay 66 on Man." This poem had a form and title with which its readers were unacquainted. Its reception was not uniform; some thought it a very imperfect piece, though not without good lines. thor was unknown, some, as will always happen, favoured him as an adventurer, and some censured him as an intruder; but all thought him above neglect; the sale increased, and editions were multiplied. The second and third parts were soon after published; and, in 1734, the fourth; when Pope avowed himself the author, and claimed the honour of a moral poet.

About this time Warburton began to make his appearance in the first ranks of learning. He was a man of vigorous faculties, a mind fervid and vehement, supplied by incessant and unlimited enquiry, with wonderful extent and variety of knowledge, which yet had not oppressed his imagination, nor clouded his perspicacity. To every work he brought a memory full fraught, together with a fancy fertile

of original combinations, and at once exerted the powers of the scholar, the reasoner, and the wit. But his knowledge was too multifarious to be always exact, and his pursuits too eager to be always cautious. His abilities gave him an haughty confidence, which he disdained to conceal or mollify; and his impatience of opposition disposed him to treat his adversaries with such contemptuous superiority as made his readers commonly his enemies, and excited against the advocate the wishes of some who favoured the cause. He seems to have adopted the Roman emperor's determination, oderint, dum metuant: he used no allurements of gentle language, but wished to compel rather than persuade.

His style is copious without selection, and forcible without neatness; he took the words that presented themselves: his diction is coarse and impure, and his sentences are unmeasured.

He had, in the early part of his life, pleased himself with the notice of inferior wits, and corresponded with the enemies of Pope. A letter was produced, when he had perhaps himself forgotten it, in which he tells Concanen, "Dryden, I observe, borrows for "want of leisure, and Pope for want of genius; Mil"ton out of pride, and Addison out of modesty.".... And when Theobald published "Shakespeare," in

opposition to Pope, the best notes were supplied by Warburton.

But the time was now come when Warburton was to change his opinion; and Pope was to find a defender in him who had contributed so much to the exaltation of his rival.

The arrogance of Warburton excited against him every artifice of offence, and therefore it may be supposed that his union with Pope was censured as hypocritical inconstancy; but surely to think differently, at different times, of poetical merit, may be easily allowed. Such opinions are often admitted, and dismissed, without nice examination. Who is there that has not found reason for changing his mind, about questions of greater importance?

Warburton, whatever was his motive, from month to month, continued a vindication of the "Essay on “Man,” in the literary journal of that time, called "The Republick of Letters."

From this time Pope lived in the closest intimacy with Warburton, and amply rewarded his kindness and his zeal; for he introduced him to Mr. Murray, by whose interest he became preacher at Lincoln'sInn, and to Mr. Allen, who gave him his niece and his estate, and by consequence a bishoprick. When he died, he left him the property of his works; a le

gacy which may be reasonably estimated at four thousand pounds.

Pope lived at this time among the great, with that reception and respect to which his works entitled him, and which he had not impaired by any private misconduct or factious partiality.

He published from time to time, between 1730 and 1740, Imitations of different Poems of Horace, generally with his name, and once, as was suspected, without it.

This mode of imitation, in which the ancients are familiarized, by adapting their sentiments to modern topics, by making Horace say of Shakespeare what he originally said of Ennius, and accommodating his satires on Pantolabus and Nomentanus to the flatterers and prodigals of our own time, was first practised in the reign of Charles the second, by Oldham and Rochester. It is a kind of middle composition between translation and original design, which pleases when the thoughts are unexpectedly applicable, and the parallels lucky. It seems to have been Pope's favourite amusement, for he has carried it further than any former poet.

His last satires, of the general kind, were two Dialogues, named, from the year in which they were published, "Seventeen Hundred and Thirty-eight." In these poems many are praised, and many are re

proached. Pope was then entangled in the opposition; a follower of the Prince of Wales, who dined at his house, and the friend of many who obstructed and censured the conduct of the ministers. His political partiality was too plainly shown: he forgot the prudence with which he passed, in his earlier years, uninjured and unoffending, through much more violent conflicts of faction.

Pope now added, at Warburton's request, another book to the "Dunciad," of which the design is to ridicule such studies as are either hopeless or useless, as either pursue what is unattainable, or what, if it be attained, is of no use.

When this book was printed, 1742, the laurel had been for some time upon the head of Cibber; a man whom it cannot be supposed that Pope could regard with much kindness or esteem, though in one of the imitations of Horace he has liberally enough praised the "Careless Husband." In the "Dunciad," among other worthless scribblers, he had mentioned Cibber; who, in his "Apology," complains of the great poet's unkindness as more injurious, "because," says he, "I have never offended him."

It might have been expected that Pope should have been, in some degree, mollified by this submissive gentleness, but no such consequence appeared. Though he condescended to commend Cibber once, he men

« ΠροηγούμενηΣυνέχεια »