Shakespeare Survey: Volume 53, Shakespeare and Narrative: An Annual Survey of Shakespeare Studies and ProductionPeter Holland Cambridge University Press, 2 Νοε 2000 - 357 σελίδες Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
Περιεχόμενα
127 | 25 |
+ | 47 |
39 | 84 |
Shakespearian Margins in George Eliots workingday world by JOHN LYON | 114 |
Margaret Fuller and the Making of the American Miranda | 127 |
The Magician in Love by JULIA GRIFFIN | 137 |
Shakespeares SelfRepetitions and King John by E A J HONIGMANN | 175 |
Inside Othello by BARABARA EVERETT | 184 |
The View of London from the North and the Playhouses in Holywell by HERBERT BERRY | 213 |
Professional Shakespeare Productions in the British Isles JanuaryDecember 1998 | 274 |
The Years Contributions to Shakespeare Studies | 287 |
Books Received | 346 |
351 | |
Άλλες εκδόσεις - Προβολή όλων
Shakespeare Survey: Volume 53, Shakespeare and Narrative: An Annual Survey ... Peter Holland Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2000 |
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors appears argues audience authority become beginning buildings called Cambridge century character claims Company course critical cultural death describes Designer desire direction Director drama Dream Duke early edition editors effect Elizabethan English essay evidence example Festival figure final followed gives Hamlet hand Henry human idea interesting interpretation John Juliet kind King King John language later Lear less lines literary London look Macbeth meaning Measure mind narrative nature never notes offers original Othello Oxford performance perhaps play political present production question readers reading reference relation Renaissance represented rhetoric Richard role scene seems sense sexual Shake Shakespeare Shakespearian social speech stage story Studies suggests Tempest Theatre theatrical things thought tion tour tower tradition tragedy turn Venus View women writing