Percy Bysshe ShelleyNorthcote House, 2000 - 99 σελίδες This book is both a general introduction to and a particular interpretation of Shelley's thought and major writings. As an introduction, it stresses his seriousness and sophistication, his poetic brilliance and intellectual courage. More specifically, its readings emphasise the materialistic and corporeal orientation of his work in opposition to a traditional view of him as a Romantic solipsist, a characterisation some of his own statements seem to invite. Fundamentally Shelley is understood here as a vanguard, revolutionary figure who writes for a better democratic future, but one which, paradoxically, he fears may threaten the cultural privilege it took to imagine it. But this pessimism is always the other side of an openness to new associations which continually reform both private and political life, relationship and citizenship. |
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Σελίδα 52
... Cenci ( R & P 236-301 ) , a play in which he avoided , as he told his readers in the Preface , ' the introduction of what is commonly called mere poetry ' ( R & P 241 ) . He thus reiterates his ambition of releasing poetry from its ...
... Cenci ( R & P 236-301 ) , a play in which he avoided , as he told his readers in the Preface , ' the introduction of what is commonly called mere poetry ' ( R & P 241 ) . He thus reiterates his ambition of releasing poetry from its ...
Σελίδα 53
... Cenci at first appears an extraordinary monster , but the play's imagery and action progressively cast him as representative , not egregious . He mixes perversion and natural wastage , a sadist for whom ' invention palls ' with age ...
... Cenci at first appears an extraordinary monster , but the play's imagery and action progressively cast him as representative , not egregious . He mixes perversion and natural wastage , a sadist for whom ' invention palls ' with age ...
Σελίδα 90
... Cenci ' , Keats Shelley Journal , 13 ( 1964 ) , 72–85 ; for the use of ' casuistry ' to unravel not only The Cenci but Romantic historicism as a whole , see James Chandler , England in 1819 ( Chicago : University of Chicago Press , 1998 ) ...
... Cenci ' , Keats Shelley Journal , 13 ( 1964 ) , 72–85 ; for the use of ' casuistry ' to unravel not only The Cenci but Romantic historicism as a whole , see James Chandler , England in 1819 ( Chicago : University of Chicago Press , 1998 ) ...
Περιεχόμενα
Sources of the Self | 1 |
The Politics of Imagined Communities | 10 |
Against the SelfImages of the Age | 17 |
Πνευματικά δικαιώματα | |
8 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
Adonais Aeschylus Alastor appears aspirations audience Beatrice Beatrice's beauty become Byron Cambridge University Press casuistry Cenci character Christian Claire Claire Clairmont Clark Coleridge contemporary creativity critical cultural Dante's death Defence of Poetry Demogorgon describes earth F. R. Leavis father figure G. E. Moore Greek Harriet Hellas human Hymn ideal ideas ideological idiom imagination individual intellectual Irish Julian and Maddalo Jupiter Keats Keats's language Laon Laon and Cythna Leigh Hunt Letters Liberty Mab's madman Mary material mind Mont Blanc moral mutability myth narrator natural Necessity of Atheism Oxford University Press Ozymandias pamphlet Peacock Percy Bysshe Shelley Persian personal extinction philosophical poem's poet poetic political popular songs Preface produce Prometheus Unbound Queen Mab radical readers Reform relationship religious Revolution revolutionary Romantic Rousseau scepticism sense Shelley's poetry social sonnet spirit stanza sympathetic sympathy things thou thought Triumph truth vision Webb William Wordsworth Wordsworthian writing written
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Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Προβολή αποσπασμάτων - 2005 |