Percy Bysshe ShelleyNorthcote House, 2000 - 99 σελίδες This book is both a general introduction to and a particular interpretation of Shelley's thought and major writings. As an introduction, it stresses his seriousness and sophistication, his poetic brilliance and intellectual courage. More specifically, its readings emphasise the materialistic and corporeal orientation of his work in opposition to a traditional view of him as a Romantic solipsist, a characterisation some of his own statements seem to invite. Fundamentally Shelley is understood here as a vanguard, revolutionary figure who writes for a better democratic future, but one which, paradoxically, he fears may threaten the cultural privilege it took to imagine it. But this pessimism is always the other side of an openness to new associations which continually reform both private and political life, relationship and citizenship. |
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Σελίδα 47
... father . Etymologically , Demogorgon's name also suggests the power of the people ( demos ) to petrify ( gorgon - like ) its opponents , exposing their rigid , obsolete identities . Asia , lover of Prometheus , has a diametrically ...
... father . Etymologically , Demogorgon's name also suggests the power of the people ( demos ) to petrify ( gorgon - like ) its opponents , exposing their rigid , obsolete identities . Asia , lover of Prometheus , has a diametrically ...
Σελίδα 52
... done what needs justification ' ( R & P 240 ) . In the culminating trial scene , Beatrice gets Marzio , one of the assassins she has suborned , to declare that she is innocent of killing the father who raped her 52 Casuistry.
... done what needs justification ' ( R & P 240 ) . In the culminating trial scene , Beatrice gets Marzio , one of the assassins she has suborned , to declare that she is innocent of killing the father who raped her 52 Casuistry.
Σελίδα 55
... father is ' ( II . i . 16–17 ) , as it is adopted by the play's Catholic hierarchy . Out of the materials anatomizing lays bare , Beatrice tries to fashion a self altogether different from the one prescribed by patriarchy . In her case ...
... father is ' ( II . i . 16–17 ) , as it is adopted by the play's Catholic hierarchy . Out of the materials anatomizing lays bare , Beatrice tries to fashion a self altogether different from the one prescribed by patriarchy . In her case ...
Περιεχόμενα
Sources of the Self | 1 |
The Politics of Imagined Communities | 10 |
Against the SelfImages of the Age | 17 |
Πνευματικά δικαιώματα | |
8 άλλες ενότητες δεν εμφανίζονται
Άλλες εκδόσεις - Προβολή όλων
Συχνά εμφανιζόμενοι όροι και φράσεις
Adonais Aeschylus Alastor appears aspirations audience Beatrice Beatrice's beauty become Byron Cambridge University Press casuistry Cenci character Christian Claire Claire Clairmont Clark Coleridge contemporary creativity critical cultural Dante's death Defence of Poetry Demogorgon describes earth F. R. Leavis father figure G. E. Moore Greek Harriet Hellas human Hymn ideal ideas ideological idiom imagination individual intellectual Irish Julian and Maddalo Jupiter Keats Keats's language Laon Laon and Cythna Leigh Hunt Letters Liberty Mab's madman Mary material mind Mont Blanc moral mutability myth narrator natural Necessity of Atheism Oxford University Press Ozymandias pamphlet Peacock Percy Bysshe Shelley Persian personal extinction philosophical poem's poet poetic political popular songs Preface produce Prometheus Unbound Queen Mab radical readers Reform relationship religious Revolution revolutionary Romantic Rousseau scepticism sense Shelley's poetry social sonnet spirit stanza sympathetic sympathy things thou thought Triumph truth vision Webb William Wordsworth Wordsworthian writing written
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Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Προβολή αποσπασμάτων - 2005 |