Percy Bysshe ShelleyNorthcote House, 2000 - 99 σελίδες This book is both a general introduction to and a particular interpretation of Shelley's thought and major writings. As an introduction, it stresses his seriousness and sophistication, his poetic brilliance and intellectual courage. More specifically, its readings emphasise the materialistic and corporeal orientation of his work in opposition to a traditional view of him as a Romantic solipsist, a characterisation some of his own statements seem to invite. Fundamentally Shelley is understood here as a vanguard, revolutionary figure who writes for a better democratic future, but one which, paradoxically, he fears may threaten the cultural privilege it took to imagine it. But this pessimism is always the other side of an openness to new associations which continually reform both private and political life, relationship and citizenship. |
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Αποτελέσματα 1 - 3 από τα 12.
Σελίδα 9
... idiom in which we can legislate for the truth to come . The second way out of postmodern indeterminacy is to accept it : to possess a sense of identity unthreatened by the prospect of its dissemina- tion among future audiences . Self ...
... idiom in which we can legislate for the truth to come . The second way out of postmodern indeterminacy is to accept it : to possess a sense of identity unthreatened by the prospect of its dissemina- tion among future audiences . Self ...
Σελίδα 69
... idiom for everyone . In popular songs , though , Shelley democratically makes us all poets through the assumption that in reading his poems we realize their aspirations to inspire . The conclusion of ' The Mask of Anarchy ' similarly ...
... idiom for everyone . In popular songs , though , Shelley democratically makes us all poets through the assumption that in reading his poems we realize their aspirations to inspire . The conclusion of ' The Mask of Anarchy ' similarly ...
Σελίδα 85
... idiom too fluently renders Dante's tradition to feel threatened , as much English Romantic verse did , by the example of Milton . His final scepticism owes less to the Humean beginnings of his thought and more to a shared historical ...
... idiom too fluently renders Dante's tradition to feel threatened , as much English Romantic verse did , by the example of Milton . His final scepticism owes less to the Humean beginnings of his thought and more to a shared historical ...
Περιεχόμενα
Sources of the Self | 1 |
The Politics of Imagined Communities | 10 |
Against the SelfImages of the Age | 17 |
Πνευματικά δικαιώματα | |
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Συχνά εμφανιζόμενοι όροι και φράσεις
Adonais Aeschylus Alastor appears aspirations audience Beatrice Beatrice's beauty become Byron Cambridge University Press casuistry Cenci character Christian Claire Claire Clairmont Clark Coleridge contemporary creativity critical cultural Dante's death Defence of Poetry Demogorgon describes earth F. R. Leavis father figure G. E. Moore Greek Harriet Hellas human Hymn ideal ideas ideological idiom imagination individual intellectual Irish Julian and Maddalo Jupiter Keats Keats's language Laon Laon and Cythna Leigh Hunt Letters Liberty Mab's madman Mary material mind Mont Blanc moral mutability myth narrator natural Necessity of Atheism Oxford University Press Ozymandias pamphlet Peacock Percy Bysshe Shelley Persian personal extinction philosophical poem's poet poetic political popular songs Preface produce Prometheus Unbound Queen Mab radical readers Reform relationship religious Revolution revolutionary Romantic Rousseau scepticism sense Shelley's poetry social sonnet spirit stanza sympathetic sympathy things thou thought Triumph truth vision Webb William Wordsworth Wordsworthian writing written
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Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Προβολή αποσπασμάτων - 2005 |