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IV

In sight? Not half! for it seemed, it was certain, to match man's birth,

Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth,

As the earth had done her best, in my passion, to scale

the sky :

Novel splendours burst forth, grew familiar and dwelt with mine,

Not a point nor peak but found, but fixed its wandering

star;

Meteor-moons, balls of blaze: and they did not pale nor

pine,

For earth had attained to heaven, there was no more near nor far.

V

Nay more; for there wanted not who walked in the glare and glow,

Presences plain in the place; or, fresh from the Protoplast,

Furnished for ages to come, when a kindlier wind should blow,

Lured now to begin and live, in a house to their liking at last;

Or else the wonderful Dead who have passed through the body and gone,

But were back once more to breathe in an old world

worth their new :

What never had been, was now; what was, as it shall be

anon;

And what is, shall I say, matched both? for I was

made perfect too.

VI

All through my keys that gave their sounds to a wish of my soul,

All through my soul that praised as its wish flowed visibly forth,

All through music and me! For think, had I painted the whole,

Why, there it had stood, to see, nor the process so wonder-worth.

Had I written the same, made verse-still, effect proceeds from cause,

Ye know why the forms are fair, ye hear how the tale

is told;

It is all triumphant art, but art in obedience to laws, Painter and poet are proud, in the artist-list enrolled :

VII

:

But here is the finger of God, a flash of the will that can, Existent behind all laws that made them, and, lo,

they are !

And I know not if, save in this, such gift be allowed to

man,

That out of three sounds he frame, not a fourth sound,

but a star.

Consider it well: each tone of our scale in itself is

nought;

It is everywhere in the world-loud, soft, and all is said: Give it to me to use! I mix it with two in my thought, And, there! Ye have heard and seen: consider and bow the head!

VIII

Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow;

For one is assured at first, one scarce can say that he

feared,

That he even gave it a thought, the gone thing was

to go.

Never to be again! But many more of the kind

As good, nay, better perchance: is this your comfort to me?

To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.

IX

Therefore to whom turn I but to Thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same?

Doubt that thy power can fill the heart that thy power expands ?

There shall never be one lost good! What was, shall live as before;

The evil is null, is nought, is silence implying sound; What was good, shall be good, with, for evil, so much

good more;

On the earth the broken arcs; in the heaven, a perfect round.

X

All we have willed or hoped or dreamed of good, shall exist; Not its semblance, but itself; no beauty, nor good, nor

power

Whose voice has gone forth, but each survives for the melodist,

When eternity affirms the conception of an hour. The high that proved too high, the heroic for earth too

hard,

The passion that left the ground to lose itself in the sky,

Are music sent up to God by the lover and the bard; Enough that he heard it once: we shall hear it byand-by.

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And what is our failure here but a triumph's evidence For the fulness of the days? Have we withered or agonized?

Why else was the pause prolonged but that singing might issue thence?

Why rushed the discords in, but that harmony should

be prized?

Sorrow is hard to bear, and doubt is slow to clear,

Each sufferer says his say, his scheme of the weal and

woe:

But God has a few of us whom he whispers in the ear; The rest may reason and welcome; 't is we musicians know.

XII

Well, it is earth with me; silence resumes her reign :
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones, till I sink to the minor,—yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the

deep:

Which, hark, I have dared and done, for my resting-place is found,

The C Major of this life: so, now I will try to sleep.

TWO IN THE CAMPAGNA.

I

I WONDER do you feel to-day

As I have felt since, hand in hand,

We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

II

For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

III

Help me to hold it! First it left
The yellowing fennel, run to seed

There, branching from the brickwork's cleft,
Some old tomb's ruin : yonder weed
Took up the floating weft,

IV

Where one small orange cup amassed
Five beetles,-blind and green they grope
Among the honey-meal and last,

Everywhere on the grassy slope,

I traced it. Hold it fast!

V

The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,

An everlasting wash of air-
Rome's ghost since her decease.

VI

Such life here, through such lengths of hours, Such miracles performed in play,

Such primal naked forms of flowers,

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