Never any marvellous story
But himself could tell a stranger.

Would you listen to his boasting,
Would you only give him credence,
No one ever shot an arrow
Half so far and high as he had;
Ever caught so many fishes,
Ever killed so many reindeer,
Ever trapped so many beaver!

None could run so fast as he could,
None could dive so deep as he could,
None could swim so far as he could;
None had made so many journeys,
None had seen so many wonders,
As this wonderful Iagoo,

As this marvellous story-teller!

Thus his name became a by-word And a jest among the people; And whene'er a boastful hunter Praised his own address too highly, Or a warrior, home returning, Talked too much of his achievements, All his hearers cried, lagoo! Here's lagoo come among us!"

He it was who carved the cradle
Of the little Hiawatha,

Carve its framework out of linden,
Bound it strong with reindeer sinews;
He it was who taught him later
How to make his bows and arrows,
How to make the bows of ash-tree,
And the arrows of the oak-tree.
So among the guests assembled
At my Hiawatha's wedding
Sat Iagoo, old and ugly,
Sat the marvellous story-teller.

And they said, "O good lagoo,
Tell us now a tale of wonder,
Tell us of some strange adventure,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
And Iagoo answered straightway,
"You shall hear a tale of wonder,
You shall hear the strange adventures
Of Osseo, the magician,

From the Evening Star descended."

XIL

THE SON OF THE EVENING STAR.

CAN it be the sun descending O'er the level plain of water? Or the Red Swan floating, flying, Wounded by the magic arrow, Staining all the waves with crimson, With the crimson of its life-blood, Filling all the air with splendor, With the splendor of its plumage? Yes; it is the sun descending, Sinking down into the water, All the sky is stained with purple, All the water flushed with crimson! No; it is the Red Swan floating, Diving down beneath the water; To the sky its wings are lifted, With its blood the waves are reddened! Over it the Star of Evening Melts and trembles through the purple, Hangs suspended in the twilight. No; it is a bead of wampum On the robes of the Great Spirit, As he passes through the twilight, Walks in silence through the heavens. This with joy beheld Iagoo And he said in haste: "Behold it! See the sacred Star of Evening! You shall hear a tale of wonder, Hear the story of Osseo,

Son of the Evening Star, Osseo!

Once, in days no more remembered,
Ages nearer the beginning,
When the heavens were closer to us,
And the Gods were more familiar,
In the North-land lived a hunter,
With ten young and comely daughters,
Tall and lithe as wands of willow;
Only Oweenee, the youngest,
She the willful and the wayward,
She the silent, dreamy maiden,
Was the fairest of the sisters.

"All these women married warriors,
Married brave and haughty husbands;
Only Oweenee, the youngest,
Langhed and flouted all her lovers,
All her young and handsome suitors,
And then married old Osseo,
Old Osseo, poor and ugly,

Broken with age and weak with coughing,
Always coughing like a squirrel.

Ah, but beautiful within him
Was the spirit of Osseo,
From the Evening Star descended,
Star of Evening, Star of Woman,
Star of tenderness and passion!
All its fire was in his bosom,
All its beauty in his spirit,
All its mystery in his be ng,
All its splendor in his language!
"And her lovers, the rejected,
Handsome men with belts of wampum,
Handsome men with paint and feathers,
Pointed at her in derision,
Followed her with jest and laughter.
But she said: 'I care not for you,
Care not for your belts of wampum,
Care not for your paint and feathers,
Care not for your jests and laughter:
I am happy with Ŏsseo!'

"Once to some great feast invited, Through the damp and dusk of evening Walked together the ten sisters,

Walked together with their husbands;

Slowly followed old Osseo,

With fair Oweenee beside him;
All the others chatted gayly,
These two only walked in silence.
"At the western sky Osseo
Gazed intent, as if imploring,
Often stopped and gazed imploring
At the trembling Star of Evening.
At the tender Star of Woman;
And they heard him murmur softly,
Ah, showain nemeshin, Nosa!
Pity, pity me, my father!'

Listen! said the eldest sister,
He is praying to his father!
What a pity that the old man
Does not stumble in the pathway,
Does not break his neck by falling!'
And they laughed till all the forest
Rang with their unseemly laughter.

"On their pathway through the woodlands
Lay an oak, by storms uprooted,
Lay the great trunk of an oak-tree,
Buried half in leaves and mosses,
Mouldering, crumbling, huge and hollow.
And Osseo, when he saw it,
Gave a shout, a cry of anguish,
Leaped into its yawning cavern,
At one end went in an old man,
Wasted, wrinkled, old, and ugly;
From the other came a young man,
Tall and straight and strong and handsome.
"Thus Osseo was transfigured,
Thus restored to youth and beauty;
But, alas for good Osseo,

And for Oweenee, the faithful!
Strangely, too, was she transfigured.

Changed into a weak old woman,

With a staff she tottered onward,
Wasted, wrinkled, old, and ugly!
And the sisters and their husbands
Laughed until the echoing forest
Rang with their unseemly laughter.

"But Osseo turned not from her,
Walked with slower step beside her,
Took her hand, as brown and withered
As an oak-leaf is in Winter,

Called her sweetheart, Nenemoosha,
Soothed her with soft words of kindness,
Till they reached the lodge of feasting,
Till they sat down in the wigwam,
Sacred to the Star of Evening,
To the tender Star of Woman.

'Wrapt in visions, lost in dreaming,
At the banquet sit Osseo;
All were merry, all were happy,
All were joyous but Osseo.

Neither food nor drink he tasted,
Neither did he speak nor listen,
But as one bewildered sat he,
Looking dreamily and sadly,
First at Oweenee, then upward
At the gleaming sky above them.
"Then a voice was heard, a whisper,
Coming from the starry distance,
Coming from the empty vastness,
Low, and musical, and tender;
And the voice sail: 'O Osseo!
O my son, my best beloved!

Broken are the spells that bound you,
All the charms of the magicians,
All the magic powers of evil;
Come to me; ascend, Osseo !

"Taste the food that stands before you: It is blessed and enchanted,

It has magic virtues in it,

It will change you to a spirit.

All your bowls and all your kettles
Shall be wood and clay no longer;
But the bowls be changed to wampum,
And the kettles shall be silver;
They shall shine like shells of scarlet,
Like the fire shall gleam and glimmer.

And the women shall no longer
Bear the dreary doom of labor,
But be changed to birds, and glisten
With the beauty of the starlight,
Painted with the dusky splendors
Of the skies and clouds of evening!'
"What Osseo heard as whispers,
What as words he comprehended,
Was but music to the others,
Music as of birds afar off,
Of the whippoorwill afar off,
Of the lonely Wawonaissa
Singing in the darksome forest.

"Then the lodge began to tremble,
Straight began to shake and tremble,
And they felt it rising. rising,
Slowly through the air ascending,
From the darkness of the tree-tops
Forth into the dewy starlight,
Till it passed the topmost branches;
And behold! the wooden dishes
All were changed to shells of scarlet!
And behold! the earthen kettles
All were changed to bowls of silver!
And the roof-poles of the wigwam
Were as glittering rods of silver,
And the roof of bark upon them
As the shining shards of beetles.

Then Osseo gazed around him,
And he saw the nine fair sisters,
All the sisters and their husbands,
Changed to birds of various plumage.
Some were jays and some were magpies,
Others thrushes, others blackbirds;
And they hopped, and sang, and twittered,
Perked and fluttered all their feathers,

Strutted in their shining plumage,
And their tails like fans unfolded.
Only Oweenee, the youngest,
Was not changed, but sat in silence,
Wasted, wrinkled, old, and ugly,
Looking sadly at the others;
Till Osseo, gazing upward,
Gave another cry of anguish,
Such a cry as he had uttered
By the oak-tree in the forest.

"Then returned her youth and beauty,
And her soiled and tattered garments
Were transformed to robes of ermine,
And her staff became a feather,
Yes, a shining silver feather!

"And again the wigwam trembled,
Swayed and rushed through airy currents,
Through transparent cloud and vapor,
And amid celestial splendors

On the Evening Star alighted,

As a snow-flake falls on snow-flake,
As a leaf drops on a river,

As the thistle-down on water.

"Forth with cheerful words of welcome Came the father of Osseo,

He with radiant locks of silver,
He with eyes serene and tender.
And he said: My son, Osseo,

Hang the cage of birds you bring there,
Hang the cage with rods of silver,
And the birds with glistening feathers,
At the doorway of my wigwam.'

"At the door he hung the bird-cage,
And they entered in, and gladly
Listened to Osseo's father,
Ruler of the Star of Evening,
As he said: O my Osseo!

I have had compassion on you,

Given you back your youth and beauty,

Into birds of various plumage

Changed your sisters and their husbands;

Changed them thus because they mocked you

In the figure of the old man,

In that aspect sad and wrinkled,
Could not see your heart of passion,
Could not see your youth immortal;
Only Oweenee, the faithful,
Saw your naked heart and loved you.

In the lodge that glimmers yonder,
In the little star that twinkles
Through the vapors, on the left hand,
Lives the envious Evil Spirit,
The Wabeno, the magician,
Who transformed you to an old man.
Take heed lest his beams fall on you,
For the rays he darts around him
Are the power of his enchantment,
Are the arrows that he uses.'

"Many years, in peace and quiet,
On the peaceful Star of Evening
Dwelt Osseo with his father;
Many years, in sorg and flutter,
At the doorway of the wigwam,
Hung the cage with rods of silver,
And fair Oweenee, the faithful,
Bore a son unto Osseo,

With the beauty of his mother,
With the courage of his father.

"And the boy grew up and prospered,
And Osseo, to delight. him,
Made him little bows and arrows,
Opened the great cage of silver,

And let loose his aunts and uncles,
All those birds with glossy feathers,
For his little son to shoot at.

"Round and round they wheeled and darted, Filled the Evening Star with music, With their songs of joy and freedom; Filled the Evening Star with splendor, With the fluttering of their plumage; Till the boy, the little hunter,

Bent his bow and shot an arrow,
Shot a swift and fatal arrow,
And a bird, with shining feathers,
At his feet feil wounded sorely.

"But, O wondrous transformation! 'T was no bird he saw before him, 'T was a beautiful young woman, With the arrow in her bosom !

When her blooi fell on the planet,

On the sacred Star of Evening,
Broken was the spell of magic,
Powerless was the strange enchantment,
And the youth, the fearless bowman,
Suddenly felt himself descending,
Held by unseen hands, but sinking
Downward through the empty spaces,
Downward through the clouds and vapors,
Till he rested on an island,

On an island, green and grassy,
Yonder in the Big-Sea-Water.

"After him he saw descending
All the birds with shining feathers,
Fluttering, falling, wafted downward,
Like the painted leaves of Autumn;
And the lodge with poles of silver,
With its roof like wings of beetles,
Like the shining shards of beetles,
By the winds of heaven uplifted,
Slowly sank upon the island,
Bringing back the good Osseo,
Bringing Oweenee, the faithful.

"Then the birds, again transfigured,
Reassumed the shape of mortals,
Took their shape, but not their stature;
They remained as Little People,
Like the pygmies, the Puk-Wudjies,
And on pleasant nights of Summer,
When the Evening Star was shining,
Hand in hand they danced together
On the island's craggy headlands,
On the sand-beach low and level.

"Still their glittering lodge is seen there,
On the tranquil Summer evenings,
And upon the shore the fisher
Sometimes hears their happy voices,
Sees them dancing in the starlight!"
When the story was completed,
When the wondrous tale was ended,
Looking round upon his listeners,
Solemnly Iagoo added:

"There are great men, I have known such,
Whom their people understand not,
Whom they even make a jest of,
Scoff and jeer at in derision.

From the story of Osseo

Let us learn the fate of jesters!"

All the wedding guests delighted
Listened to the marvellous story,
Listened laughing and applauding,
And they whispered to each other:

Does he mean himself, I wonder?
And are we the aunts and uncles?"
Then again sang Chibiabos,
Sang a song of love and longing,
In those accents sweet and tender,
In those tones of pensive sadness,
Sing a maiden's lamentation
For her lover, her Algonquin.

"When I think of my beloved,
Ah me! think of my beloved,
When my heart is thinking of him,
O my sweetheart, my Algonquin !

"Ah me! when I parted from him,
Round my neck he hung the wampum,
As a pledge, the snow-white wampum,
O my sweetheart, my Algonquin !

"I will go with you, he whispered,
Ah me! to your native country;
Let me go with you, he whispered,
O my sweetheart, my Algonquin !
Far away, away, I answered,

Very far away, I answered,
Ah me! is my native country,
O my sweetheart, my Algonquin!
When I looked back to behold him,
Where we parted, to behold him,
After me he still was gazing,
O my sweetheart, my Algonquin !
"By the tree he still was standing,
By the falling tree was standing,
That had dropped into the water,
O my sweetheart, my Algonquin!
"When I think of my beloved,
Ah me! think of my beloved,
When my heart is thinking of him,
O my sweetheart, my Algonquin!”
Such was Hiawatha's wedding,
Such the dance of Pau Puk-Keewis,
Such the story of lagoo,

Such the songs of Chibiabos;
Thus the wedding banquet ended,
And the wedding guests departed,
Leaving Hiawatha happy

With the night and Minnehaha.

XIII.

BLESSING THE CORNFIELDS.

SING, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!

Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all war-like weapons,
And the war-cry was forgotten.
There was peace among the nations;
Unmolested roved the hunters,
Built the birch canoe for sailing,
Caught the fish in lake and river,
Shot the deer and trapped the beaver;
Unmolested worked the women,
Made their sugar from the maple,
Gathered wild rice in the meadows,
Dressed the skins of deer and beaver.

All around the happy village

Stood the maize-fields, green and shining,
Waved the green plumes of Mondamin,
Waved his soft and sunny tresses,
Filling all the land with plenty.

"T was the women who in Spring-time
Planted the broad fields and fruitful,
Buried in the earth Mondamin;
"T was the women who in Autumn
Stripped the yellow husks of harvest,
Stripped the garments from Mondamin.
Even as Hiawatha taught them.

Once, when all the maize was planted, Hiawatha, wise and thoughtful, Spake and said to Minnehaha, To his wife the Laughing Water: "You shall bless to-night the cornfields, I'raw a magic circle round them, To protect them from destruction, Blast of mildew, blight of insect, Wagemin, the thief of cornfields, Paimosaid, who steals the maize-ear! "In the night, when all is silence, In the night, when all is darkness, When the Spirit of Sleep, Nepahwin, Shuts the doors of all the wigwams, So that not an ear can hear you, So that not an eye can see you, Rise up from your bed in silence, Lay aside your garments wholly, Walk around the fields you planted, Round the borders of the cornfields, Covered by your tresses only, Robed with darkness as a garment.

X

In those days said Hiawatha,

Lo! how all things fade and perish
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets !

Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be !
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.

"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."

Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.

From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a b'rch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,

He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit
Was the meaning of this symbol.
Mitche Manito the Mighty,
He the dreadful Spirit of
Evil,

As a serpent was depicted,
As Kenabeek, the great serpent.
Very crafty, very cunning,
Is the creeping Spirit of Evil,

Was the meaning of this symbol.J' draw
Life and Death he drew as circles,
Life white, but Death was darkened;
Sun and moon and stars he painted,
Man and beast, and fish and reptile,
Forests, mountains, lakes, and rivers.

For the earth he drew a straight line,
For the sky a bow above it;
White the space between for daytime,
Filled with little stars for night-time;
On the left a point for sunrise,
On the right a point for sunset,
On the top a point for noontide
And for rain and cloudy weather
Waving lines descending from it.

Footprints pointing towards a wigwam
Were a sign of invitation,
Were a sign of guests assembling;
Bloody hands with palms uplifted
Were a symbol of destruction,
Were a hostile sign and symbol.

All these things did Hiawatha
Show unto his wondering people,
And interpreted their meaning,

And he said: Behold, your grave-posts
Have no mark, no sign, nor symbol.
Go and paint them all with figures
Each one with its household symbol,
With its own ancestral Totem;
So that those who follow after
May distinguish them and know them."
And they painted on the grave-posts
On the graves yet unforgotten,
Each his own ancestral Totem,
Each the symbol of his household;
Figures of the Bear and Reindeer,
Of the Turtle, Crane, and Beaver,
Each inverted as a token

That the owner was departed,
That the chief who bore the symbol
Lay beneath in dust and ashes.

And the Jossakeeds, the Prophets,
See Page 146
The Wabenos, the Magicians,
And the Medicine-men, the Medas,
Painted upon bark and deer-skin
Figures for the songs they chanted,
For each song a separate symbol,
Figures mystical and awful,
Figures strange and brightly colored;
And each figure had its meaning,
Each some magic song suggested.

The Great Sp rit, the Creator,
Flashing light through all the heaven,
The great Serpent, the Kenabeek,
With his bloody crest erected,
Creep ing, looking into heaven;
In the sky the sun, that listens,
And the moon eclipsed and dying;
Owl and eagle, crane and hen-hawk,
And the cormorant, bird of magic;
Headless men, that walk the heavens,
Bodies lying pierced with arrows,
Bloody hands of death uplifted,
Flags on graves, and great war-captains
Grasping both the earth and heaven!

Such as these the shapes, they painted
On the birch-bark and the deer-skin;
Songs of war and songs of hunting,
Songs of medicine and of magic,
All were written in these figures,
For each figure had its meaning,
Each its separate song recorded.

Nor forgotten was the Love-Song,
The most subtle of all medicine,
The most potent spell of magic,
Dangerous more than war or hunting!
Thus the Love-Song was recorded,