The World in a Frame: What We See in Films

acting actor aesthetic Alfred Hitchcock American films Arthur Penn artistic assertion Astaire Astaire's attack audience basic become Bergman body Bonnie and Clyde Brando camera character Charlie closed film comedy comic conflict context continuity conventions create criticism cultural dance defined director double dream emotional emphasizes energy escape example exist experience exploration express face feeling film actor filmmakers finally Finian's Rainbow Ford Ford's frame genre films Godard Hitchcock horror film Howard Hawks implies individual Jean Renoir Jesse James Jolson Kelly La Grande Illusion Lang's Larry Parks manipulation meaning moral murder musical narrative nature novel objects open film painting past play plot popular possible potential problems realistic reality Renoir Rogers role Rossellini Rotwang satire scene screen seems self-consciousness sense sexuality silent films social society sound films stage actor star story style stylized symbolic television theater theatrical theme tion tradition Truffaut viewer vision visual world western