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2. Give a general idea of the manner in which the

first movement of Beethoven's 8th Sonata Op. 13 should be rendered, quoting all the leading themes, and adding to them phrase expression and tempo marks ; and commenting on their general character.

3. Mention the various sorts of accents which go to

form" expression."

4. In what mainly do the styles of Mozart and

Beethoven differ from one another ?

FUNDAMENTAL LAWS OF EXPRESSION AND INTERPRETATION OF SPECIFIED WORKS.

SECOND YEAR.

Professor Marshall-Hall.

FOR PASS AND HONOUR CANDIDATES.

1. Phrase, and add expression marks to all the chief

themes in the 2nd movement of Beethoven's C Minor Symphony.

2. (a) Give all the salient points necessary to a cor,

rect rendering of the 1st movement of the 3rd Symphony of Beethoven (Eroica), quoting the melody, and adding all necessary indications of

the tempo and spirit animating it. (0) Describe in the same way Beethoven's P.F.

Sonata in Eb Op. 31. No. 3.

3. Phrase, and add expression marks and tempi to the

following:

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Additional for Honours. 4. Give a brief description, with illustrative examples,

of the respective styles in which Bach, Mozart, and Beethoven must be rendered. Note especially the characteristic distinctions between them, and discuss the question of varying tempo in relation to them individually.

EXAMINATION FOR THE DIPLOMA OF MUSICAL

ASSOCIATE.

HARMONY.

FIRST YEAR.

Professor Marshall-Hall.

1. Resolve the following Chords back to their re

spective tonics :

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