Race-ing Art History: Critical Readings in Race and Art HistoryKymberly N. Pinder Routledge, 15 Απρ 2013 - 400 σελίδες Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other. |
Περιεχόμενα
| 7 | |
| 13 | |
| 21 | |
Maurice | 37 |
Imagining Race in the Eighteenth and Nineteenth Centuries | 67 |
Only women should go to Turkey | 87 |
The Hottentot and the Prostitute | 119 |
Going Native | 139 |
New Encounters with Les Demoiselles dAvignon | 261 |
Wilfredo Lam | 289 |
Sargent Johnson | 307 |
Horace Pippins Challenge to Art Criticism | 321 |
In Search of the Inauthentic | 331 |
Altars of Sacrifice | 341 |
Raceing | 351 |
The Other Immigrant | 359 |
Racism Nationalism and Nostalgia | 155 |
Blacks in SharkInfested Waters | 169 |
Making a Man of Him | 191 |
Modernism and Its Primitive Legacy | 215 |
The While Peril and LArt nègre | 233 |
Reframing the Black Subject | 371 |
Biraciality and Nationhood in Contemporary American Art | 391 |
List of Contributors | 403 |
| 409 | |
Άλλες εκδόσεις - Προβολή όλων
Race-ing Art History: Critical Readings in Race and Art History Kymberly N. Pinder Περιορισμένη προεπισκόπηση - 2013 |
Race-ing Art History: Critical Readings in Race and Art History Kymberly N. Pinder Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2002 |
Race-ing Art History: Critical Readings in Race and Art History Kymberly N. Pinder Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2002 |
Συχνά εμφανιζόμενοι όροι και φράσεις
aesthetic African American appear artists associated become body Browne Browne's called century collection colonial color constructed contemporary cowboy critics culture Demoiselles depicted desire discourse discussion early essay European example exhibition experience expressed face fact female figure French Gauguin gaze gender Halle harem human identity important Indian interest issue Italy Jewish John later lived London look Magdeburg male masculine Maurice means modernist Museum Native nature Negro nineteenth-century nude objects Orientalism Orientalist original painting Paris Picasso picture political position present Press primitive produced prostitute provides question race racial recent reference relation representation represented scenes sculpture seems seen sense sexual slave social society South space specific status suggest symbolic tion tradition tribal University visual West Western woman women York