Folk Art Potters of Japan: Beyond an Anthropology of Aesthetics

aesthetic ideals affected anthropology appreciation argued art world artists arts and crafts beauty Bernard Leach branch households buyers ceramic art chamber clay crushers colour community of Sarayama community solidarity concerned connoisseurs cooperative kiln Craft Association Craft Museum craftsmen critics cultural dealers department stores direct perception discussion economic example exhibitions fieldwork firing folk art folk craft function glaze Graburn Hamada Shōji hamlet Hauser Hita household head households in Sarayama income individual industrial Iriichi Irisai Japan Japanese Mingei movement Japanese pottery Japanese society Kaneichi Kanemaru Kaneyo Koishiwara Kyūshū land leaders market demand Maruta Meiji period mingei boom Mizuo Moeran Morris mountain nature Nihon non-potting households Onta pottery Plate potter households potters in Sarayama potting households private kiln production retail rice rural Sakamoto seen Shirakaba Shōji social organization tea bowl theory Tokyo Tomimoto Kenkichi traditional urban values wares William Morris Yamaichi Yamako Yamamaru Yamani Yamasan Yanagi Sōetsu