Q. Horatii Flacci Carminum libri iv, ed. by T.E. Page |
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Σελίδα 27
... Notice the present : Pollio's work was only begun ( cf. 11. 9-11 ) , ' you are taking in hand , ' v . note on 1. 21 . " 6 9. paullum ] for a short ( time ) , ' for awhile . ' paullum is the accusative of duration from an obsolete ...
... Notice the present : Pollio's work was only begun ( cf. 11. 9-11 ) , ' you are taking in hand , ' v . note on 1. 21 . " 6 9. paullum ] for a short ( time ) , ' for awhile . ' paullum is the accusative of duration from an obsolete ...
Σελίδα 28
... at fear and is not affrighted , Neither turneth he back from the sword : The quiver rattleth against him , The glittering spear and the shield . ' 20. equos equitumque ] Notice the effect of assonance : 28 HORACE , ODES II . i .
... at fear and is not affrighted , Neither turneth he back from the sword : The quiver rattleth against him , The glittering spear and the shield . ' 20. equos equitumque ] Notice the effect of assonance : 28 HORACE , ODES II . i .
Σελίδα 29
Quintus Horatius Flaccus Thomas Ethelbert Page. 20. equos equitumque ] Notice the effect of assonance : so in English ' warrior and war - horse , ' and Tennyson , Charge of the Light Brigade , While horse and hero fell . ' equitum voltus ...
Quintus Horatius Flaccus Thomas Ethelbert Page. 20. equos equitumque ] Notice the effect of assonance : so in English ' warrior and war - horse , ' and Tennyson , Charge of the Light Brigade , While horse and hero fell . ' equitum voltus ...
Σελίδα 31
... Notice the assonance of these lines and the powerful effect produced by the repetition of the vowel o , and the combination ' or . ' The peculiar rhythm of 1. 36 adds to the effect . Before breaking off from his warlike theme Horace ...
... Notice the assonance of these lines and the powerful effect produced by the repetition of the vowel o , and the combination ' or . ' The peculiar rhythm of 1. 36 adds to the effect . Before breaking off from his warlike theme Horace ...
Σελίδα 36
... Notice Horace's favourite construc- tion of an infinitive even after verbs which do not usually take one ; cf. too immediately below , ' laborat trepidare ' : the use here is analogous to the use of the infinitive after such 36 HORACE ...
... Notice Horace's favourite construc- tion of an infinitive even after verbs which do not usually take one ; cf. too immediately below , ' laborat trepidare ' : the use here is analogous to the use of the infinitive after such 36 HORACE ...
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