The Diliman Review, Τόμος 53,Τεύχη 1-4College of Arts and Sciences, University of the Philippines., 2006 |
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Σελίδα
... colonial period , Inang Bayan , in the seditious play of Aurelio Tolentino entitled " Kahapon , Ngayon at Bukas " ( 1903 ) , became " a fighting , fearless mother supported by her children " , and no longer the " helpless , hapless ...
... colonial period , Inang Bayan , in the seditious play of Aurelio Tolentino entitled " Kahapon , Ngayon at Bukas " ( 1903 ) , became " a fighting , fearless mother supported by her children " , and no longer the " helpless , hapless ...
Σελίδα 83
... colonial project of overthrowing colonial rule in the Philippines . With this metaphor , the social hierarchies were reconstructed , and the previous ones destroyed . All the citizens were deemed to be brothers , thus , all equal ...
... colonial project of overthrowing colonial rule in the Philippines . With this metaphor , the social hierarchies were reconstructed , and the previous ones destroyed . All the citizens were deemed to be brothers , thus , all equal ...
Σελίδα 185
... colonial in origin , Philippine cinema strives for an identity of its own by appropriating theatrical forms and incorporating these in the emergent entertainment medium . The films in Del Mundo's study ( Tunay na Ina , Giliw Ko ...
... colonial in origin , Philippine cinema strives for an identity of its own by appropriating theatrical forms and incorporating these in the emergent entertainment medium . The films in Del Mundo's study ( Tunay na Ina , Giliw Ko ...
Περιεχόμενα
New Tales for | 1 |
The Evolution Of Bayan | 38 |
Dios Ina God the Mother | 73 |
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