The World in a Frame: What We See in Films

Εξώφυλλο
University of Chicago Press, 15 Ιουλ 1984 - 274 σελίδες
"An exciting, entertaining exploration of films. . . . [Braudy] attempts to understand rather than promulgate rules and categories, and somehow to keep the criteria of enjoyment in some meaningful connection with the criteria of judgment."—Robert Kirsch, Los Angeles Times
 

Περιεχόμενα

Movies in Mind
1
Varieties of Visual Coherence
20
A Short History of the Visible
24
The Continuous Muse
33
The Shaping Eye and the Recalcitrant Object
37
The Open and the Closed
44
Frame and Context
51
Connecting the Visible
65
Musicals and the Energy from Within
139
Truffaut Godard and the Genre Film as Selfconscious Art
163
Film and Society in the 1970s
169
Acting and Characterization The Aesthetics of Omission
182
Stage vs Screen
191
Roleplaying and Typecasting
201
The Metaphysic of the Body
212
Actors and Objects
218

Gods in the Film
69
The Theme of the Object
76
Factgatherer and Factcreator
83
New Forms in the 1950s and 1960s
94
Genre The Conventions of Connection
104
Selfconsciousness and Story
114
Enclosed Society and Open Spaces
117
Westerns and the Myth of the Past
124
Films and Human Nature
225
The Double
226
The Theatrical Character
235
European and American Films of the 1960s and 1970s
250
INDEX OF FILMS
260
GENERAL INDEX
266
Πνευματικά δικαιώματα

Άλλες εκδόσεις - Προβολή όλων

The World in a Frame: What We See in Films
Leo Braudy
Προβολή αποσπασμάτων - 1976
The World in a Frame: What We See in Films
Leo Braudy
Προβολή αποσπασμάτων - 1977
The World in a Frame: What We See in Films
Leo Braudy
Προβολή αποσπασμάτων - 1976

Συχνά εμφανιζόμενοι όροι και φράσεις

acting actor aesthetic Alfred Hitchcock American films Arthur Penn artistic assertion Astaire Astaire's attack audience basic become Bergman body Bonnie and Clyde Brando camera character Charlie closed film comedy comic conflict context continuity conventions create critical cultural dance defined director double dream emotional emphasizes energy escape example exist experience exploration express face feeling film actor filmmakers finally Finian's Rainbow Ford Ford's frame genre films Godard Hitchcock horror film Howard Hawks implies individual Jean Renoir Jesse James Jolson Kelly La Grande Illusion Lang's Larry Parks manipulation meaning moral murder musical narrative nature novel objects open film painting past play plot popular possible potential problems realistic reality Renoir Rogers role Rossellini Rotwang satire scene screen seems self-consciousness sense sexuality silent films social society sound films stage actor star story style stylized symbolic television theater theatrical theme tion tradition Truffaut viewer vision visual world western

Αναφορές για αυτό το βιβλίο

Σχετικά με τον συγγραφέα (1984)

Leo Braudy is the University Professor and the Bing Professor of English at the University of Southern California. He is the author, most recently, of The Frenzy of Renown: Fame and Its History, second edition and coeditor of Film Theory and Criticism: Introductory Readings, fifth edition.

Πληροφορίες βιβλιογραφίας

ΤίτλοςThe World in a Frame: What We See in Films
ΣυγγραφέαςLeo Braudy
Έκδοσηεπανεκτύπωση
ΕκδότηςUniversity of Chicago Press, 1984
ISBN0226071553, 9780226071558
Μέγεθος274 σελίδες
  
Εξαγωγή αναφοράςBiBTeX EndNote RefMan