sold as waste paper to the pastry-cook or the chandler. What wonder that the disenchanted poet should be transmuted into a cold and caustic critic, or that the disappointed man should with draw into the narrowest limits of a friendly society, a hermit in the center of London! To add to these griefs, Mr. Darley was afflicted by a natural infirmity not uncommon with men of high talent and nervous and susceptible temperament. He stammered so much as to render conversation painful and difficult to himself, and distressing to his companions. The consciousness of this impediment (which he called "his mask") increased its intensity, causing him to shrink from all unnecessary communications, except with the few to whom he was familiarly accustomed, and of whose appreciation he was sure. They seem to have esteerned him much. I myself never saw him. But I suppose I owed to the too partial report of some of his own most valued friends the honor of being admitted among his correspondents. Much as I admired him, and sincerely grateful as I felt for his notice, I confess that these elaborate epistles frightened me not a little. Startling to receive these epistles, resembling the choicest part of the choicest orations, were terrible to answer; and as my theory as to letterwriting is, that it should be like the easiest, most careless, most off-hand talk, and my practice full of blots and blunders, and of every sort of impertinence that a pen can by any chance commit, is apt to carry out my theory even to excess, I have no doubt but I often returned the compliment by startling my correspondent. Besides these letters, Mr. Darley sent me a little volume, called "Sylvia, or the May Queen," a dramatic pastoral full of lyrical beauty; a tragedy on the story of Thomas-à-Becket, of which the most original scene is one in which Richard is represented as a boy, a boy foreshowing the man, the playful, grand and noble cub, in which we see the future lion; and an unpublished poem called "Nepenthe," as different in appearance from the common run of books" printed for private distribution," which are usually models of typography, of paper, and of binding, as it is in subject and in composition. Never was so thorough an abnegation of all literary coxcombry as was exhibited in the outward form of this "Nepenthe," unless there may be some suspicion of affectation in the remarkable homeliness, not to say squalidness, of the strange little pamphlet, as compared with the grace and refinement of the poetry. Printed with the most imperfect and broken types, upon a coarse, discolored paper, like that in which a country shopkeeper puts up his tea, with two dusky leaves of a still dingier hue, at least a size too small for cover, and garnished at top and bottom with a running margin in his own writing, such (resembling nothing but a street ballad or an old “broadside") is the singular disguise (ah, Mr. Darley might well have called that a mask!) of the striking poem of which I am about to offer an extract. There is no reading the whole, for there is an intoxication about it that turns one's brain. Such a poet could never have been popular. But he was a poet. The first page is headed as follows, in Mr. Darley's hand-writing, "seeking the panacea called 'Nepenthe,' the wanderer finds himself on the hill of Solitude." NEPENTHE. Over a bloomy land, untrod By heavier foot than bird or bee And furz in russet frock arrayed Light! for the ardor of the clime To lean on empyrean rhyme. No melody beneath the moon Sweeter than this deep wasel tune! Sole mark on that huge-meadowed plain! Hie on to great Ocean! hie on! hie on! Round the sea-monarch's shallop, hie on! Hie on to brave Ocean! hie on! hie on ! Of the water-bell's womb Pleasant whoop to sea-revels, hie on! Hie on to bright Ocean! hie on hie on Rolling gold on the strands, For poor Earth's sons and daughters, hie on Hie on to calm Ocean! hie on hie on ! Hear ye not the smooth tide With deep murmur and wide Call ye down to his quiet, hie on ! Thus to the bubbling streamlet elves To haste them down the slopes and shelves, Perchance to me monition sweet; I have been still led like a child To climb with through the ropy air. Swift as a star falls through the night, Down from the hills heaven-touching height The streamlet vanished from my sight. The poet is carried away by the phoenix, and laid at the bottom of her tree, in Arabia Felix, where he beholds her dissolution. O blest unfabled ineese-tree Half buried to her flaming breast In this bright tree she makes her nest, Her gorgeous death-bed! her rich pyre Her urn right high from spoiler men! The mountainless green wilds among I woke, hard by the Phoenix tree That with shadeless boughs flamed over me; The while with shrill triumphant tone Sounding aloud, aloft, alone, Ceaseless her joyful death-wail she Sang to departing Araby! Deep melancholy wonder drew Tears from my heart-spring at that view; |