The Diliman Review, Τόμος 1College of Arts and Sciences, University of the Philippines, 1953 Devoted to letters, the arts and discussion. |
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Σελίδα 198
... reader the sense of being present , here and now , in the scene of action . There is evident an instinct- tive knowledge of dramatic technique in several scenes , such as the one in which Leonor goes to Jacinto's boarding house for the ...
... reader the sense of being present , here and now , in the scene of action . There is evident an instinct- tive knowledge of dramatic technique in several scenes , such as the one in which Leonor goes to Jacinto's boarding house for the ...
Σελίδα 225
... reader may react in kind : Thus being so impressed by the Keatsian visual and aural imagery in " Heard melodies are sweet but unheard are sweeter , " the reader may think of : " shed tears are sweet , but those unshed are sweeter ...
... reader may react in kind : Thus being so impressed by the Keatsian visual and aural imagery in " Heard melodies are sweet but unheard are sweeter , " the reader may think of : " shed tears are sweet , but those unshed are sweeter ...
Σελίδα 329
... reader asks why does the poet have a guitar ? Poets definitely do not work with guitars and even the most imaginative will not as- sociate a poet with a guitar . This puzzle continues to trouble the reader until about two pages later ...
... reader asks why does the poet have a guitar ? Poets definitely do not work with guitars and even the most imaginative will not as- sociate a poet with a guitar . This puzzle continues to trouble the reader until about two pages later ...
Περιεχόμενα
DILIMAN REVIEW | 132 |
A SERVANT OF GOD KA NAA SUBRAMANYAM | 152 |
ART AND AUDIENCE | 160 |
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