The Cambridge Companion to Shakespeare on FilmRussell Jackson Cambridge University Press, 26 Οκτ 2000 - 342 σελίδες Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. |
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Αποτελέσματα 1 - 5 από τα 32.
Σελίδα xiii
... cultural politics . In this Companion several films and plays are considered by different contributors from different points of view : in particular , the various films of Hamlet , Richard III , Macbeth and Romeo and Juliet reappear in ...
... cultural politics . In this Companion several films and plays are considered by different contributors from different points of view : in particular , the various films of Hamlet , Richard III , Macbeth and Romeo and Juliet reappear in ...
Σελίδα 1
... cultural authority of corporate Shakespeare has nothing to do with ideas of any description ' . Perhaps one might argue that if ' ideas ' are defined less restrictively , the tension between ' Shakespeare ' , ideas and big business has ...
... cultural authority of corporate Shakespeare has nothing to do with ideas of any description ' . Perhaps one might argue that if ' ideas ' are defined less restrictively , the tension between ' Shakespeare ' , ideas and big business has ...
Σελίδα 2
Russell Jackson. directors ; and in relation to wider issues of cultural politics . Themselves part of the history of the reception of Shakespeare's plays , the films also have a signifi- cance in any account of the aims and effects of ...
Russell Jackson. directors ; and in relation to wider issues of cultural politics . Themselves part of the history of the reception of Shakespeare's plays , the films also have a signifi- cance in any account of the aims and effects of ...
Σελίδα 7
... cultural event : ' The exploitation of THE DREAM should follow the same unfailing Reinhardt formula . Get the best people interested . Socialites and cultural leaders gladly lend the prestige of their names to promote Reinhardt and ...
... cultural event : ' The exploitation of THE DREAM should follow the same unfailing Reinhardt formula . Get the best people interested . Socialites and cultural leaders gladly lend the prestige of their names to promote Reinhardt and ...
Σελίδα 8
... cultural status of Shakespeare or of the period the film is set in . The identity of the principal actors and the scale of the production are usually the main selling points . Love interest ( or sex ) and action may be emphasised , and ...
... cultural status of Shakespeare or of the period the film is set in . The identity of the principal actors and the scale of the production are usually the main selling points . Love interest ( or sex ) and action may be emphasised , and ...
Περιεχόμενα
From playscript to screenplay | 15 |
Video and its paradoxes | 35 |
Critical junctures in Shakespeare screen history the case of Richard III | 47 |
Shakespeare and movie genre the case of Hamlet | 72 |
Genres and plays | 83 |
The comedies on film | 85 |
Filming Shakespeares history three films of Richard III | 99 |
Hamlet Macbeth and King Lear on film | 117 |
Grigori Kozintsevs Hamlet and King Lear | 199 |
Franco Zeffirelli and Shakespeare | 212 |
Flamboyant realist Kenneth Branagh | 222 |
Critical issues | 239 |
Looking at Shakespeares women on film | 241 |
National and racial stereotypes in Shakespeare films | 261 |
Shakespeare the illusionist filming the supernatural | 274 |
Shakespeares cinematic offshoots | 295 |
The tragedies of love on film | 135 |
Directors | 161 |
The Shakespeare films of Laurence Olivier | 163 |
Orson Welles and f1lmed Shakespeare | 183 |
314 | |
FILMOGRAPHY | 318 |
325 | |
Άλλες εκδόσεις - Προβολή όλων
The Cambridge Companion to Shakespeare on Film Russell Jackson Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2000 |
Συχνά εμφανιζόμενοι όροι και φράσεις
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Αναφορές για αυτό το βιβλίο
Theatrical Translation and Film Adaptation: A Practitioner's View Phyllis Zatlin Περιορισμένη προεπισκόπηση - 2005 |