Remembering and Imagining the Holocaust: The Chain of MemoryCambridge University Press, 19 Οκτ 2006 This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities. |
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Αποτελέσματα 1 - 5 από τα 80.
Σελίδα 4
... Nazism on language, a deformation, he suggests, which hardly ended with the war. Indeed, it seemed to him that the language was already corrupted by ponderousness and an academicism that made it vulnerable to such a crude assault. The ...
... Nazism on language, a deformation, he suggests, which hardly ended with the war. Indeed, it seemed to him that the language was already corrupted by ponderousness and an academicism that made it vulnerable to such a crude assault. The ...
Σελίδα 5
... Nazi Reich'.3 There was , he acknowledged , a counter - current in the work of George Grosz , Bertolt Brecht and ... Nazis were entirely content to address their chosen victims and to record the details of their genocide . The Jews ...
... Nazi Reich'.3 There was , he acknowledged , a counter - current in the work of George Grosz , Bertolt Brecht and ... Nazis were entirely content to address their chosen victims and to record the details of their genocide . The Jews ...
Σελίδα 6
... Nazis it was enrolled in the cause of anarchy . In Auschwitz , Peter Barnes's 1978 play , a character recalls that ' Reichsführer Heinrich Himmler himself decreed that our first complex should be built in the forest outside Weimar , the ...
... Nazis it was enrolled in the cause of anarchy . In Auschwitz , Peter Barnes's 1978 play , a character recalls that ' Reichsführer Heinrich Himmler himself decreed that our first complex should be built in the forest outside Weimar , the ...
Σελίδα 10
... Nazis, observes that 'Profound experience, I've already learned, is easily distorted.' He still, he confesses, had not 'found the words to give voice to those intense scars on my memory' (50). There is an etiquette for approaching the ...
... Nazis, observes that 'Profound experience, I've already learned, is easily distorted.' He still, he confesses, had not 'found the words to give voice to those intense scars on my memory' (50). There is an etiquette for approaching the ...
Σελίδα 29
... Nazis whose hands were stained with blood , the same man who would rely on the memories of survivors such as himself to see justice done decades after the perpetrators had slid effortlessly back into civilian life , beneficiaries of the ...
... Nazis whose hands were stained with blood , the same man who would rely on the memories of survivors such as himself to see justice done decades after the perpetrators had slid effortlessly back into civilian life , beneficiaries of the ...
Περιεχόμενα
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Ενότητα 17 | 163 |
Ενότητα 18 | 174 |
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Ενότητα 20 | 215 |
Ενότητα 21 | 219 |
Ενότητα 30 | 287 |
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Ενότητα 34 | 308 |
Ενότητα 35 | 315 |
Ενότητα 36 | 316 |
Ενότητα 37 | 318 |
Ενότητα 38 | 341 |
Ενότητα 39 | 348 |
Ενότητα 40 | 357 |
Ενότητα 41 | 368 |
Άλλες εκδόσεις - Προβολή όλων
Remembering and Imagining the Holocaust: The Chain of Memory Christopher Bigsby Δεν υπάρχει διαθέσιμη προεπισκόπηση - 2006 |
Συχνά εμφανιζόμενοι όροι και φράσεις
accused acknowledged aesthetic Alma Rosé Améry Anne Frank Arthur Miller asked Auschwitz Austerlitz became become Binjamin Wilkomirski Birkenau called claim concentration camp confessed confronted crime dead death deny diary died documentary Elie Wiesel everything evidence existence experience explained fact Fania Fania Fénelon fate father feel felt Fénelon fiction film forget gas chambers genocide German Gerstein gesture ghetto girl guilt Hochhuth Holocaust human identity images imagination Incident at Vichy insisted irony Jean Améry Jewish Jews Kindertransport language later Levi’s lives memory moral murder narrator Nazis necessity never Nonetheless novel offered orchestra Otto Frank past perhaps Peter Weiss photographs play Pope precisely present Primo Levi prisoners recalls remarked remember resistance Rosé seemed seemingly sense silence simply speak story suffering suggests suicide survived survivors tell things thought trial truth victims W. G. Sebald Wilkomirski witness woman words write wrote young
Δημοφιλή αποσπάσματα
Σελίδα 21 - OUR age is retrospective. It builds the sepulchres of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face ; we, through their eyes. Why should not we also enjoy an original relation to the universe?
Σελίδα 314 - For if once a man indulges himself in murder, very soon he comes to think little of robbing ; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination.
Σελίδα 2 - The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.
Σελίδα 223 - Who has inflicted this upon us? Who has made us Jews different from all other people? Who has allowed us to suffer so terribly up till now? It is God that has made us as we are, but it will be God, too, who will raise us up again...
Σελίδα 225 - If it is as bad as this in Holland whatever will it be like in the distant and barbarous regions they are sent to? We assume that most of them are murdered. The English radio speaks of their being gassed.
Σελίδα 3 - This re-Englishing of a Russian re-version of what had been an English retelling of Russian memories in the first place...
Σελίδα 2 - He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.
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