LA REVENANTE. OH, look on me, dear one, with love and not fear: And a kiss was its welcome: now what can there be Doth the life of the spirit, so pure and so high, [eye, Steal the smile from the cheek, or the love from the That the mortal must shrink with such palsying fear, To know that the holy and deathless are near? Oh, a far keener pang than what doomed us to part, Is to feel that my presence sends chill to thy heart! Though blissful my life as a spirit's can be, [thee; Its bright hours are swept by fond yearnings for Soft, musical waves from the Past o'er my soul, Where never again may the vexed billows roll, Are wafting emotions so hallowed, yet wild, That I leave the blest land to behold thee, my child! Thou hast called me with tears in the still, lonely And I spoke to thy spirit, but not to thy sight: [night, Thou hast dreamed of me oft by our own linden tree, When my kiss on thy cheek was the zephyr to thee! Thy life since we parted has laid down its glow, And year after year has but shed deeper snow; Whilst thou, from the stern, worldly lore of thy head, Hast turned with a heart-broken love to the dead: I knew it, far off in my shadowless sphere, [near; And I thought it might soothe thee to know I was But I would not one fear o'er thy tried spirit cast For all the deep, measureless love of the past: Farewell! Thou wilt see me no more, but the spell Of affection shall guard thee, poor trembler, farewell! A DEATH SCENE. And still with looks of love those soft stars glimmer Yet Heaven's full joy is on that spirit beaming- The sun is high, but from those pale lips parted, No more those words float on the languid breath, Yet still the expression of the happy-hearted Has triumphed o'er the mournful shades of death. Thro' the hushed room the midday ray has wended Its glowing pinion to a pulseless breast: The gentle sleeper's mortal dreams are endedThe soul has gone to Him who gives it rest. "Tis evening's hush: the first faint shades are creepThro' the still room, and o'er the curtained bed, [ing Where lies a weary one, all calmly sleeping, Touched with the twilight of the land of dread. Death's cold gray shadow o'er her features falling, Marks her upon the threshold of the tomb; Yet from within no sight nor sound appalling, Comes o'er her spirit with a thought of gloom. See on her pallid lip bright smiles are wreathing, While, from the tranquil gladness of her breast, Sweet, holy words in gentlest tones are breathing: "Come unto me, and I will give you rest." Night gathers round-chill, moonless, yet with tenMild, radiant stars, like countless angel-eyes, [der, Bending serenely, from their homes of splendor, Above the couch where that meek dreamer lies. The hours wear on: the shaded lamp burns dimmer, And ebbs that sleeper's breath as wanes the night, DEATH LEADING AGE TO REPOSE. Spirit of the placid brow! And he seeks to slumber now. For the friends he can not see; On the couch he asks of thee! Teach him it is well to die. Would each mournful doubt dispel. Knows but few brief hours of balm: That reveals the life sublime, Where the Ideal is no dream, Walks in joy's unclouded beam. With the eye that may not weep, SARAH T. BOLTON. MRS. BOLTON resides in Ohio, and has been a contributor to the Herald of Truth in Cincinnati, to the Home Journal in New York, thors are accustomed to have meaning in and to several other periodicals whose autheir verses. LINES, SUGGESTED BY AN ANECDOTE OF PROFESSOR MORSE.* DIDST thou desire to die and be at rest, Thou of the noble soul and giant mind? A world, admiring, hailed thee with delight, * In a letter to General Morris, dated Trenton Falls, August 14, Mr. N. P. Willis relates the following curious anecdote: "Among our fellow-passengers up the Mohawk, we had, in two adjoining seats, a very impressive contrast-an insane youth, on his way to an asylum, and the mind that has achieved the greatest triumph of intellect in our time, Morse, of the electric telegraph, on an errand connected with the conveyance of thought by lightning. .....In the course of a brief argument on the expediency of some provision for putting an end to a defeated and hopeless existence, Mr. Morse said that, ten years ago, under ill health and discouragement, he would gladly have availed himself of any divine authorization for terminating a life of which the possessor was weary. The sermon that lay in this chance remark-the loss of priceless discovery to the world, and the lo-s of fame and fortune to himself, which would have followed a death thus prematurely self-chosen-is valuable enough, I think, to justify the invasion of the sacredness of private conversation which I commit by thus giving it to print. May some one, a weary of the world, read it to his profit." Unhonored and forgotten ?-thou, on whom THE SPIRIT OF TRUTH. I DREAMED that I saw, on the fair brow of heaven, Her brow wore a halo of light, and her eye he frowned. SARAH T. BOLTON. She stood in the cell, where the death-breathing air The turbulent billows of faction grew calm; And the mighty bowed down to the sway of the Lord. KENTUCKY'S DEAD." KENTUCKY, mother of the brave! Thy gallant dead-they come, they come ! No: toll for them the solemn knell, When savage tomahawks were red With unoffending life With all the ardor youth imparts, They sought the battle plain: Those stalwart forms and noble hearts, Came never back again. Oh, they were missed where kindred met The bones of the Kentuckians who died under the tomahawk at the river Raisin, in 1812, were conveyed to the river shore, at Cincinnati, on the 29th of September, 1848, by an escort of Cincinnati firemen, and placed in charge of the Kentucky committee, to whom their recep tion was assigned. They were contained in a wooden box, painted black, bearing the inscription: A grave to rest in was denied The brave and gallant slain; And foemen left them where they died, Upon the battle plain. "KENTUCKY'S GALLANT DEAD. January 18, 1812.-River Raisin, Michigan." The bones of these brave men were found in a common grave, which was accidentally upturned while a street in Monroe, Michigan, was being graded. The fact of the skulls being all cloven with the tomahawk, induced the workmen to make inquiry, and an aged Frenchman, a survivor of the massacre, knew them as the bones of the unfortunate Kentuckians-remembering the spot where they were buried. Information was sent to Kentucky, and that state promptly took means for their removal. The charge was devolved upon Colonel Brooke, participant in, and survivor of, that unfortunate battle. No voice to soothe, no hand to bless, The moonbeams came at midnight's hour And angels made that lonely bower And fragrant flowers, of brilliant dyes, Like mourners to their God. The world has changed; for many years The pleasant homes in which they grew And loved--they are not there. Their ashes, sad and slow- For them the weeds of wo. It is a proud, a sacred trust Their deathless fame is thine! HANNAH J. WOODMAN. MISS WOODMAN is the authoress of The Casket of Gems, and two or three other small volumes, and she has been for several years a 'eacher in the public schools of Boston, of which city she is a native. Many of her po ems appeared in the miscellanies edited by her friend Mrs. Edgarton Mayo. There is no published collection of them. THE ANNUNCIATION. Luke i. 26-38. SILENCE o'er ancient Judah! "Twas the hush Of kneeling thousands had prevailed on high, Man heard the sound of music, and arose, Oh, who can paint the rushing tides of thought mind Of that lone worshipper, whose faith was brought Thus suddenly its utmost verge to find; It failed not, and the curtain was withdrawn Which veiled futurity's effulgent dawn. She rose with brow serene: her eyes forgot Their dreamy softness, and were upward cast, Filled with celestial radiance. Earth had not The power that glorious prophecy to blast: "Behold the handmaid of the Lord, and teach The trembling lip to frame submissive speech!" Again there floated on the ambient air That thrilling melody, while countiess throngs, Waving their golden censers, heard the prayer, Which mingled with their own triumphant songs The vision faded in a sea of light, WHEN WILT THOU LOVE ME? LOVE me when the spring is here, With its busy bird and bee; And the heart is full of glee; Wilt thou love me then as now? In her robes so fair and bright; Dearest, wilt thou love me still? Listening to the night-bird's lay, Thoughts of one far, far away! From his leafy home and hower; When the bee, no longer heard, Bides the cold, ungenial hour; When the blossoms rise no more From the garden, field, and glen; When our forest joys are o'er, Dearest, wilt thou love me then? Love for ever! 'tis the spring Whence our choicest blessings flow! Angel harps its praises sing, Angel hearts its secrets know. When thy feet are turned away From the busy haunts of menWhen thy feet in Eden stray, Dearest, wilt thou love me then? SUSAN ARCHER TALLEY. SUSAN ARCHER TALLEY was born in Han- | frequent and popular contributor to that ex What is most noticeable in the poems of Miss Talley is their rhythmical harmony, considered in connexion with her perfect insensibility to sound, for a period so long that she could not have had before its commencement any ideas of musical expression or poetical art. The only instance in literary history in which so melodious a versification has been attained under similar circumstances is that of James Nack, the deaf and dumb poet of New York, whose writings were several years ago given to the public by Mr. Prosper M. Wetmore. There is not in Mr. Nack's poems, however, any single composition that can be compared with Ennerslie, in grace, or variety of cadences, or in ideal beauty. This poem, without being an imitation, will remind the reader of one of the finest productions of Tennyson. Miss Talley was remarkable for a precocity of intellect and an early development of character. Though of an exceedingly happy temperament, she rarely mingled with other children, but would spend most of her time in reading, in an intense application to study, or in wandering amid the beautiful woods and meadows that surrounded her father's residence. At nine years of age she suddenly and entirely lost her hearing, which had evidently the effect of subduing the natural joyousness of her disposition, and of producing that dreamy and contemplative tone of character which has since distinguished her. It may be said that from this period till she was sixteen her life was passed in the solitude of her chamber, where she seemed to derive from books a constant and ever increasing enjoyment. In consequence of her extreme diffidence it was not until she was in her fifteenth year that the nature and force of her talents were apprehended by her most intimate associates. A manuscript volume of her verses now fell under the observation of her father, who saw in them illustrations of unlooked-for powers, to the cultivation of which he subsequently devoted himself with intelligent and assiduous care while he lived. When she was about seventeen years of age some of her poems appeared in The Southern Literary Messenger, and, yielding to the wishes of her friends, she has since been a Miss Talley is remarkable not only for the peculiar interest of her character, but for the variety of her abilities. She is a painter as well as a poet, and some of the productions of her pencil have been praised by the best critics in the arts of design, both for striking and original conception and for skilful execution. Her friends therefore anticipate for her a distinguished position among those wo men who have cultivated painting, and they find in her pictures the same characteristics that maik her literary compositions. Young, and gifted with such unusual powers, she rarely mingles in society beyond the select circle of friends by whom she is surrounded. She finds her happiness in the quiet pleasures and affections of home. Her life is essentially that of a poet. Ardent in temperament, yet shrinkingly sensitive, with a fine fancy which is often warmed into imagination, and an instinctive apprehension and love of the various forms of beauty, poetry becomes the expression of her nature, and the compensation for that infirmity by which she is deprived of half the pleasures that minister to a fine intelligence. |