The Personality of Shakespeare: A Venture in Psychological MethodYale University Press, 1953 - 243 σελίδες First of all, as the title indicates, I am concerned with exploring a method. This method derives from the theory of personality projection. It is quantitative in part, but its operation depends, as everything in science does, upon a human observer and assessor. With regard to the personality of Shakespeare, I should like to make it plain that I have not attempted to be comprehensive and final. I do not see how we can be comprehensive and final with regard to any personality. Here, in studying Shakespeare, I have been deliberately fragmentary, limiting myself to a mere handful of questions. In particular, I have not tried to analyze the plays as artistic wholes in their entire complexity, but have only traced out a few general characteristics and a few patterns, which I have called "themes," occurring in more than one play. My analysis has focused on the dramatis personae and their interrelations. - Preface. |
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Σελίδα 29
... fact , identifiable . If this is true in one case , it might be true in all . We do not know that it is true , because even after lengthy examination many dreams retain a residue of the nonhistorical . But those cases which finally ...
... fact , identifiable . If this is true in one case , it might be true in all . We do not know that it is true , because even after lengthy examination many dreams retain a residue of the nonhistorical . But those cases which finally ...
Σελίδα 117
... fact that the theme of sexual betrayal , involving husband or near - husband and wife , is broadly and acutely present in the dramas ; and the further fact that a de- velopment occurs in its treatment which might be summed up briefly ...
... fact that the theme of sexual betrayal , involving husband or near - husband and wife , is broadly and acutely present in the dramas ; and the further fact that a de- velopment occurs in its treatment which might be summed up briefly ...
Σελίδα 135
... fact from magic , than do the earlier ones ; and the seam- less junction of earthly and spiritual in Prospero is an example of this . There is , however , greater spiritual tension around Prospero ; or rather , to keep to the allegory ...
... fact from magic , than do the earlier ones ; and the seam- less junction of earthly and spiritual in Prospero is an example of this . There is , however , greater spiritual tension around Prospero ; or rather , to keep to the allegory ...
Περιεχόμενα
PREFACE | 1 |
On Some Questions of Theory and Method | 15 |
AWEW Alls Well That Ends Well | 42 |
Πνευματικά δικαιώματα | |
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Άλλες εκδόσεις - Προβολή όλων
The Personality of Shakespeare: A Venture in Psychological Method Harold Grier McCurdy Προβολή αποσπασμάτων - 1953 |
Συχνά εμφανιζόμενοι όροι και φράσεις
action actors analysis Antipholus Antonio appear Ariel average behavior Benedick betrayal Caliban Camillo cent character weights Charlotte Brontë child Claudio Cloten comedy complex conscious Coriolanus count curve Cymbeline daughter death dramatic dream Duke emotional evidence example fact Falstaff father Freud Gentlemen of Verona Gloucester Hamlet Henry Henry IV Hermione Hero human husband Iachimo Iago imagination Imogen interpretation introjected Juliet kill kind King Lear Leontes literary lover weight Macbeth male Mamillius Marlowe ment Midsummer Night's Dream mother murder nature object Oedipus complex Othello perhaps Pericles plays Polixenes Polonius possible Posthumus present problem Prospero Proteus psychoanalytic psychological psychologists queen regard relations relationship Romeo sexual Shake Shakespeare Shakespeare's personality soul speak speare speare's Speech Lines story Stratford Table Tempest thee theme theory thou Timon tion top character top-ranking character traits Troilus Vincentio wife William Shakespeare Winter's Tale