...and understanding and retained under their in-emissive, though gentle and unnoticed, controul . . . reveals itself in the balance or reconciliation of...the image, the individual, with the representative. . . . while it blends and harmonizes the natural and the artificial.117 When the series of cantos on...

...understanding and retained under their irremissive, though gentle and unnoticed, controul [sic] (laxis effertar habenis) reveals itself in the balance or reconciliation...usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement;...

...control (*laxis effertur habenis* [it is carried onward with loose reins; Virgil, Georgics 11.364]) reveals itself in the balance or reconciliation of...usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement;...

...understanding, and retained under their irremissive, though gentle and unnoticed, controul (laxix effertur habenis) reveals itself in the balance or reconciliation...novelty and freshness, with old and familiar objects [...]. Sitwell puts it similarly in A Poet's Notebook, when she writes, "[t]he Poet accomplishes his...

...highest type of thinker was the Artist, whose power "reveals itself in the balance of reconcilement of opposite or discordant qualities; of sameness,...with enthusiasm and feeling profound or vehement." Coleridge envisioned himself as one of the "Philosophers and the Bards" who uses "plastic might" to...

...Coleridge perceives this blending of "opposite or discordant" qualities, for instance, in a reconciliation "of sameness with difference; of the general, with...with enthusiasm and feeling profound or vehement" (Works, 7, 2, 16-17). 25. See Charles Rosen and Henri Zerner, "The Fingerprint: A Vignette," in their...

...and magical power to which we have exclusively appropriated the name of imagination. This power . . . reveals itself in the balance or reconciliation of...sense of novelty and freshness, with old and familiar objects.4 In this, we see that specifically Romantic predicament from which Richards takes his extremely...

...by the famous pairs that constitute all poems and that become objectified elements in the poem — "sameness with difference; of the general, with the...usual state of emotion, with more than usual order" (Biographia, 2:12). These poles differentiate a poem, define it, and balance it, as it were, in a fixed...