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" O, wither'd is the garland of the war, The soldier's pole is fall'n : young boys and girls Are level now with men ; the odds is gone, And there is nothing left remarkable Beneath the visiting moon. "
The Works of Shakespeare - Σελίδα 178
των William Shakespeare - 1752
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Shakespeare Survey, Τόμος 33

Kenneth Muir - 2002 - 236 σελίδες
...tragic process. The progress of Roman civilization leaves a world more impoverished than it found: the odds is gone, And there is nothing left remarkable Beneath the visiting moon. (Iv, xv, 66-8) The Christian narrative, however, reverses the premise of tragic consciousness,...
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The Mutual Flame: On Shakespeare's Sonnets and The Phoenix and the Turtle

G. Wilson Knight - 2002 - 233 σελίδες
...expansion. The poet's experience resembles that of Cleopatra following Antony's death, when, after 'the odds is gone and there is nothing left remarkable beneath the visiting moon", Antony himself next becomes the universe (Antony and Cleopatra, iv, xiii, 66; v, ii,...
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Antony and Cleopatra

William Shakespeare, Tony Farrell - 2004 - 208 σελίδες
...women, The crown o'the earth doth melt. My lord? O, withered is the garland of the war, The soldier's pole is fall'n; young boys and girls Are level now...gone, And there is nothing left remarkable Beneath the visiting moon. CHARMIAN O quietness, lady! IRAS She's dead too, our sovereign. CHARMIAN Lady! IRAS...
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Almost Shakespeare: Reinventing His Works for Cinema and Television

James R. Keller, Leslie Stratyner - 2014 - 203 σελίδες
...women, The crown o' the earth doth melt. My lord! O, wither'd is the garland of the war, The soldier's pole is fall'n: young boys and girls Are level now...gone, And there is nothing left remarkable Beneath the visiting moon [Ivory 101-102]. The film's appropriation of Antony and Cleopatra creates a parallel...
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Life After Grief: An Astrological Guide to Dealing with Loss

Darrelyn Gunzburg - 2004 - 340 σελίδες
...old Nathan who is in love with Stuart. 7 New Wine In Old Bottles: The Centaurs and Qrief Cleopatra: The odds is gone And there is nothing left remarkable Beneath the visiting moon. Shakespeare, Antony and Cleopatra, (4.16. 68-70) For thousands of years the astrological...
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The Living Image: Shakespearean Essays

T. R. Henn - 2005 - 168 σελίδες
...has thrown over her temperamental qualities. But she has also overcome change, mutability. Consider 'The odds is gone, And there is nothing left remarkable Beneath the visiting moon.' Then the Guard re-enters with the Clown. The protracted and inane conversation fulfills...
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How to Read a Poem

Terry Eagleton - 2007 - 182 σελίδες
...Cleopatra: The crown o' th' earth doth melt. My lord! O, wither' d is the garland of the war, The soldier's pole is fall'n! Young boys and girls Are level now...gone, And there is nothing left remarkable Beneath the visiting moon. Nothing left remarkable, indeed, except for these ravishing lines themselves, which...
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The Masks of Anthony and Cleopatra

Mary Rosenberg - 2006 - 605 σελίδες
...only sameness in the world, no room even for chance (luck, fortune, the odds): young boys [Caesar?] and girls Are level now with men: the odds is gone, And there is nothing left remarkable Beneath the visiting moon.* Her words give way to wailing; Charmian, always with her, soothing, begging: Oh quietness,...
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Double Vision: Moral Philosophy and Shakespearean Drama

Tzachi Zamir - 2011 - 256 σελίδες
...however, persist because when he dies she says this: O, wither'd is the garland of the war, The soldier's pole is fall'n: young boys and girls Are level now...gone, And there is nothing left remarkable Beneath the visiting moon. (IV.xv.64-68) And later she says this: His legs bestride the ocean, his rear'd arm Crested...
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Medieval and Renaissance Drama in England, Τόμος 20

S. P. Cerasano - 2007 - 305 σελίδες
...first grieving words on the death of Antony: O, wither' d is the garland of the war, The soldier's pole is fall'n! Young boys and girls Are level now with men. (4.14.64-66) "[T]he garland of the war" and the "soldier's pole" are the triumphal wreaths of battle...
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