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" Thus the ideas, as well as children, of our youth often die before us; and our minds represent to us those tombs to which we are approaching; where though the brass and marble remain, yet the inscriptions are effaced by time, and the imagery moulders... "
An Essay Concerning Human Understanding: In Four Books - Σελίδα 113
των John Locke - 1768
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The collected works of Dugald Stewart, Τόμος 4

Dugald Stewart, John Veitch - 1854
...which at first occasioned them, the print wears out, and at last there remains nothing to be seen. Tims the ideas, as well as children of our youth, often die before us: and our minds represent to us those tombs to which we are approaching, where, though the brass and marble remain,...

The Miscellaneous Works of the Right Honourable Sir James Mackintosh, Τόμος 1

Sir James Mackintosh, Robert James Mackintosh - 1854
...footsteps or remaining characters of themselves than shadows do flying over a field of corn." — " The ideas, as well as children of our youth, often die before us, and our minds represent to us those tombs to which we are approaching; where, though the brass and marble remain,...

The Eclectic Magazine of Foreign Literature, Science, and Art, Τόμος 32

1854
...has a solemn cadence, a touching and mournful flow, exquisitely adapted to the sentiment : The ideaR as well as children of our youth often die before us ; and our minds represent to us those tomba to which we are approaching, whero, though the brass and marble remain,...

The Collected Works of Dugald Stewart: Philosophical essays. 1855

Dugald Stewart, John Veitch - 1855
...which at first occasioned them, the print wears out, and at last there remains nothing to be seen. Thus the ideas, as well as children of our youth, often die before us : and our minds represent to us those tombs to which we are approaching ; where, though the brass and marble remain,...

Letters on the philosophy of the human mind: first series

Samuel Bailey - 1855 - 250 σελίδες
...objects which at first occasioned them, the print wears out, and at last there is nothing to be seen. Thus the ideas, as well as children, of our youth, often die before us : and our minds represent to us those tombs, to which we are approaching; where though the brass and marble remain,...

Essays, Selected from Contributions to the Edinburgh Review: Supplementary vol

Henry Rogers - 1855
...language has a solemn cadence, a touching and mournful flow, exquisitely adapted to the sentiment: — ' The ideas as well as children of our youth often die before us ; and our minds represent to us those tombs to which we are approaching, where, though the brass and marble remain,...

The Catholic institute magazine [afterw.] The Institute

Liverpool cath. inst - 1856
...strong and beautiful contrast to the generally dry and unornamented style of that philosopher, — " the ideas, as well as children, of our youth, often die before us ; and our minds resemble those sepulchres to which we are approaching, where, though the brass and marble may remain,...

Lectures on the Science of Language: Delivered at the Royal ..., Τόμος 1

Friedrich Max Müller - 1864
...which, at first, occasioned them, the print wears out, and, at last, there remains nothing to be seen. Thus the ideas, as well as children of our youth, often die before us ; and our minds represent to us those tombs to which we are approaching ; where though the brass and marble remain,...

Foliorum centuriae, selections for translation into Latin and Greek prose ...

Hubert Ashton Holden - 1864
...equality with the most barbarous nations that surrounded them. J. ADDISON 464. EVANESCENCE OF IDEAS. The ideas, as well as children, of our youth, often die before us : and our minds represent to us those tombs, to which we are approaching ; where though the brass and marble remain,...

The Atlantic Monthly, Τόμος 15

1865
...recollection as distinctly as it did the day after I learned • it. I refer to the passage beginning, ' Thus the ideas, as well as children, of our youth often die before us ; and our minds represent to us those tombs to which we are approaching, where, though the brass and marble remain,...




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